Braveheart Page #5
- R
- Year:
- 1995
- 178 min
- 4,724 Views
William is in the barn loft, shoveling corn down to feed the
hogs, while he glimpses something coming.
THE BOY'S POV
An ox cart is coming down the curving lane. Its driver is
Campbell, with MacClannough walking behind it. The farmers
glance up at William, their faces grim...
From his perch in the loft, William sees that the neighbors
have brought:
the bodies of his father and brother. The cartstops; Campbell, with a bandage around his left hand where
more of his fingers are now missing, studies the back of the
ox, as if it could tell him how to break such news. The butt
of the ox seems to tell him to be matter-of-fact.
CAMPBELL:
William... Come down here, lad.
William looks away, he takes quick breaths, he looks back...
but the bodies are still there.
EXT. HOUSE - DAY
It's now surrounded by horses, wagons, and neighbors. The
undertaker arrives in his hearse.
On a table the undertaker has laid out the bodies and is
preparing them. Cloths around the lower jaw and top of the
head bind their mouths shut; pennies cover their eyes.
Softly, William enters the shed, drawn to his father and
brother. Campbell follows him in, wanting to stop him -- but
what can he say now? The undertaker goes on with his work.
William approaches the table; the bodies don't look real to
him. He sees the wounds. The dried blood.
The undertake pours water from a bowl and scrubs off the
blood. But the wounds remain.
EXT. GRAVESIDE - DAY
CLOSE on a grave, with a headstone marked ANNE WALLACE. We
INCLUDE the two new graves freshly dug beside it, and see
the mourners gathered before them. The sight of the boy,
standing alone in front of the graves of his dead mother, as
the bodies of his father and brother are lowered with ropes
into the ground beside her, has all of the neighbors shaken.
The local parish PRIEST drones mechanically in Latin.
The farmers who were secretly gathered in Malcolm Wallace's
kitchen the previous night are now glancing at William; but
no one is anxious to adopt a grieving, a rebellious boy.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Braveheart" Scripts.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.scripts.com/script/braveheart_418>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In