Blossoms in the Dust Page #4

Synopsis: Edna marries Texan Sam Gladney, operator of a wheat mill. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of "conservative" citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna leads a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.
Director(s): Mervyn LeRoy
Production: WARNER BROTHERS PICTURES
  Won 1 Oscar. Another 3 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
25%
APPROVED
Year:
1941
99 min
154 Views


I...

- I didn't know I was nameless, Mrs. Keats.

- Except for the kindness of the woman...

...in the license bureau,

it might never have come to light.

Whose business is it but mine?

It's anybody's business now.

It's common gossip.

Was it common gossip

before you started telling it?

George, don't, darling.

Why, Charlotte's an angel.

She's kind, gentle, sweet.

Why, from the day George and I took her,

she's been as dear to us as our own child.

And she's the only one

I'll ever marry, Mother.

Make up your mind to that.

Allan wants to take you away

for a while.

Yes. We'll go to someplace nice,

where no one knows us.

Away from his practice and his family.

Oh, Sarah.

- You'll wreck his life.

- Mother, stop it.

Run along, Charlotte, darling.

I have a plan to talk over with Allan.

Don't worry, dear.

We love each other,

and that's all that really matters.

Everything's going to be fine.

Oh, Charlotte.

Did she agree?

Do we get the double wedding?

Why not?

Did you hear that, dearest?

- Here's to double tandem.

Edna.

- Edna.

- Yes, darling?

What is it?

I want you to have this.

Charlotte! Charlotte!

Charlotte! Charlotte!

How about amalgamating?

Share losses as well as profits.

Well, maybe you're right, Charlie.

But do you see that sign out there?

Someday it's going to read,

"Samuel Gladney and Son. "

Can't take in partners

without consulting him.

That son of yours

may turn out to be a daughter.

- Maybe you're right.

Sorry to interrupt you...

Mr. Gladney!

You got to get home to your wife

right away.

But it isn't time yet.

- But babies ain't got calendars.

- Holy smoke.

There's your partner.

- Did you call the doctor?

Well, that's the trouble, boss.

We can't find him.

- You can't what?

- Well, Dr. West is gone away...

...on a fishing trip,

and fishes ain't got telephones.

- My sister has a wonderful doctor.

- Call him up right away.

- Take it easy, Sam.

- I'll go and hitch the horses, boss.

- Well, go on. Look, call the hospital.

- Hello, Central, 485.

Keep trying to get Dr. West. Have his wife

get him no matter where he is.

- I will. Hello...

- Keep getting West until you get him.

- Yes, I will. Hello. Hello. Hello.

- Sorry, gentlemen.

I'd like to speak to Dr. Breslar.

Out of my way.

- Who are you, anyway?

- My name is Breslar. Dr. Breslar.

Where is she? Where is she?

She right upstairs.

Stave it off, if you can,

till the doctor gets here.

Just keep out of my way, will you?

Heat all the water you can, at once.

- Plain water?

- Heat it.

- Yes, sir.

- Are you sure you know what you're doing?

I have 60 babies a year. Do you?

Careful, now.

Can't you tell what color its eyes are?

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Anita Loos

Anita Loos (April 26, 1889 – August 18, 1981) was an American screenwriter, playwright and author, best known for her blockbuster comic novel, Gentlemen Prefer Blondes. She wrote film scripts from 1912, and became arguably the first-ever staff scriptwriter, when D.W. Griffith put her on the payroll at Triangle Film Corporation. She went on to write many of the Douglas Fairbanks films, as well as the stage adaptation of Colette’s Gigi. more…

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Submitted on August 05, 2018

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