Blondie of the Follies Page #5

Synopsis: Blondie, a New York tenement dweller, and Lurlene are best friends. When Lurlene makes the cast of a big Broadway show, she arranges for Blondie to join the cast as well. But the friendship goes awry when Lurlene's sweetheart, wealthy Larry Belmont, catches Blondie's act and falls for the fair-haired newcomer. Though she is attracted to Larry as well, Blondie spurns his attentions out of loyalty to her friend. But the attraction proves to be stronger than any of them could have imagined.
Genre: Comedy
Director(s): Edmund Goulding
Production: MGM
 
IMDB:
8.0
PASSED
Year:
1932
91 min
24 Views


That was only Larry Belmont.

You mean to say you don't know Larry Belmont?

He made four million in the market himself.

- Goody goody! I like him.

Of course, you like Larry.

Everyone likes Larry.

I guess I better be going home.

- Must you go, Blondie?

- Yes and thanks, Lottie.

- Lurlene, please.

- Well, Lurlene then.

Gee, this is swell here.

Do you think I could come up and

see you one day when your friends are out?

Yes, do. Give me a buzz.

My name's in the book.

As Lurlene Cavanaugh.

Yes.

OK and thanks a lot.

- You can find your way out, can't you dear?

- Yes, it's right out there.

- Blondie, you can't go like that.

- Why not?

No, of course not, honey.

Madelon, donnez-moi cette jacket.

Et ce chapeau.

Le petit chapeau, Madame?

Oui, Oui.

- Thanks. I'll let you have it back.

- You don't have to.

You don't mean to say you're

going to give it to me?

- Of course, I'm finished with it.

- Aren't you a peach!

Wow! I bet I look kind of hot in this.

Oh, Lurlene, do I have to go?

I don't want to. I like it here.

Blondie,

if I introduce you to my friends,

will you promise not to make any cracks?

- Me?

- You know, about uptown.

Of course I wouldn't if you said not.

I'm up at Lurlene's now.

She's got to go to the show.

What?

...all grown up.

- Blondie, I'm so glad to see you again.

- Wait a minute, wait a minute.

Wait a minute. What's this?

- Me?

- Yes, you.

Larry?

- What are you doing for dinner?

- Dinner? I've had it.

What's the idea?

I got to get a girl for Murchenson.

He's big business. All the oil in Oklahoma.

Don't you think you might

consult me about plans, dear?

Don't be silly. What's Josephine's number?

You're not going to call her. I'll call someone.

- Yes, you will.

- I could go if you wanted me to.

That's great. She's cute.

- Thank you, mister.

- Mister yourself.

Unfortunately, Blondie has to leave.

- Come on, Blondie.

- Oh no, she doesn't.

I'm going to talk her out of it.

How about it?

- I don't really have to go.

- But you said you did.

- Did I?

- Are you kidding?

You don't have to go, do you?

- If Lurlene says I do, I do. I guess I better go.

- No, that's silly.

- Stop it, Larry, or I'll be cross.

- You're frightening your little friend.

What's the matter?

Aren't you two speaking?

We've been chums ever since we were kids.

- What are you sore about, Lurlene?

- I'm not sore. You're so absurd.

You know perfectly well you promised

your mother you'd be home.

- When?

- Over the telephone just now.

Are you screwy?

You know we have no telephone.

Screwy? Don't be rude.

You're the one that's rude!

- Now, Blondie, please.

- Don't get fresh with me.

If you have come up in the world, you

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Frances Marion

Frances Marion (born Marion Benson Owens, November 18, 1888 – May 12, 1973) was an American journalist, author, film director and screenwriter often cited as the most renowned female screenwriter of the 20th century alongside June Mathis and Anita Loos. She was the first writer to win two Academy Awards. more…

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Submitted on August 05, 2018

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