Black Page #5

Synopsis: Based in Simla, the McNallys are an Anglo-Indian family consisting of Paul and his wife, Catherine. Both are full of joy when Catherine gives birth to a baby girl, Michelle, but their joy is short-lived when they are told that Michellle cannot see nor hear. Both attempt to bring up Michelle in their own protective way, as a result Michelle is not exposed to the real world, and becomes increasingly violent and volatile. Things only get worse when Catherine gives birth to Sara, and Paul considers admitting Michelle in an asylum. It is here that Debraj Sahai enters their lives. Through his eager involvement, Michelle blossoms, grows, gives up her violence, even gets admitted in school with normal children. The years pass by, Michelle does not succeed in getting her graduation, and it is time for Debraj to bid adieu as he is having his own health problems. 12 years later, at the age of 40, Michelle does succeed in graduating in Arts, and it is shortly thereafter she will be re-united with
Genre: Drama
Production: Evokative Films
  30 wins & 3 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
67%
NOT RATED
Year:
2005
122 min
$125,342
Website
2,172 Views


will never enter the asylum.

Do you understand?

My mother always...

said the same thing.

That as long as I live...

my daughter will never leave me.

But one day, she herself...

dragged her to the asylum.

And she got lost behind

the asylum's iron doors.

Michelle is deaf and

blind, Mrs. McNally!

She is not mentally retarded!

She need to recognize words...

everything that she touches,

that she eats...

has a name; which has a meaning.

I will teach her to speak...

through signs.

Till she is secure in her house,

this can't happen.

That's why!

Firstly...

I will have to change

this part of the house.

Everything should be new for her.

No papers, no books...

only empty walls.

I'll even change

the smell of this room.

Secondly, only I will have

a right over Michelle.

She will rely only on me!

Third thing, noone including you

will be allowed here.

No, no no... don't shake your head!

Look at me... look!

It's difficult but it will

have to be done for Michelle.

Fourth thing, all I want is

time and trust.

No salary, no allowances,

nothing and...

no alcohol

and the fifth thing...

so, when do I get

charge of my student?

This evening.

You know. Mrs. McNally,

I wish I could sing...

but my singing is so... pathetic.

Dear ms. Nair,

I have good news.

You will be unhappy to know that

the magician is at work

today is Michelles first day...

Mr. Sahai...

- In school. Ah!

Y our student.

You kept your promise, mrs. McNally

school has started,

and parents are not allowed.

So you should leave.

I have never left her alone.

Please take care of her.

Don't be harsh on her

No.

She is looking for me.

- Yes. I know.

She's going to come to you now.

Leave, mrs. McNally.

Please leave. Get back.

No, I can't take this...

- 2o days!

You cannot touch her for 2o days.

- But its time for her to eat.

Yes I know mrs. McNally.

You must leave now.

Please. Please. Can I...?

- I said leave.

No! No. No more mother.

No more father. Just me.

Me, your friend. Y our friend.

Look see see ya ya, your teacher.

Friend. Friend!

The magic has begun, ms. Nair!

The magic!

I will change her life.

The magic has begun!

Magic!

Wake up, miss... Michelle McNally.

We all pass through this darkness

once in which you are living.

So don't remain in the dark.

Come into the Light!

Light. Light.

Yes! Yes! Yes! Light!

The alphabets for the world start

with a, b, c, d, e but yours...

start with b, I, a, c, k...

black, black, black

y our alphabets, your world

are different Michelle.

You are different, you are, you are,

and you are different...

and are proud that you're different.

Here. This is cake.

Rate this script:3.2 / 5 votes

Sanjay Leela Bhansali

Sanjay Leela Bhansali (Gujarati: [ˈsəndʒeː ˈlilɑ ˈbʱəɳs̪ɑli]; born 24 February 1963) is an Indian film director, producer, screenwriter, and music director. One of the most successful filmmakers in Indian cinema, Bhansali is the recipient of several awards, including four National Film Awards and ten Filmfare Awards. In 2015, the Government of India honoured him with the Padma Shri, the fourth highest civilian award. Bhansali made his directorial debut with Khamoshi: The Musical (1996), for which he received the Filmfare Critics Award for Best Film. He rose to prominence in Indian cinema with the commercially successful and widely acclaimed romantic drama Hum Dil De Chuke Sanam (1999), the romantic drama Devdas (2002) — which received nomination for the Best Foreign Film at British Academy of Film & Television Awards (BAFTA) — and the drama Black (2005), for all of which he received multiple Best Director Awards and Best Film Awards along with additional Critics Award for Best Film for the latter at Filmfare Awards, and multiple National Film Awards for the latter two. However, he followed it by directing consecutive commercially flop films such as Saawariya (2007) and Guzaarish (2010), however, Guzaarish received positive reviews from critics and audiences. This changed with his adaptation of Shakespeare's Romeo and Juliet — the tragic romance Goliyon Ki Raasleela Ram-Leela (2013) — opened to positive reviews and strong box office collections, for which he received several awards and nominations. His home production biographical sports film Mary Kom (2014), had him receive his third National Film Award. His period dramas Bajirao Mastani (2015) and Padmaavat (2018) rank among the highest-grossing Indian films of all time. For the former, he won the National Film Award for Best Direction, as well as Best Director and Best Film Awards at Filmfare. He is an alumnus of the Film and Television Institute of India. He is the founder of the production house Bhansali Productions. Bhansali has adopted the middle name "Leela" as a tribute to his mother, more…

All Sanjay Leela Bhansali scripts | Sanjay Leela Bhansali Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Black" Scripts.com. STANDS4 LLC, 2024. Web. 7 Jun 2024. <https://www.scripts.com/script/black_4151>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Black

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.