Behind the Planet of the Apes Page #5

Synopsis: This documentary was shown as part of the American Movie Classics (AMC) cable TV channel's celebration of the 30th anniversary of the release of Planet of the Apes (1968). We learn how the original French novel was transformed into the first film; the problems that the producers encountered during production of the entire series (often involving shrinking budgets); how the stories related to current events (e.g., the Vietnam War and the civil rights movement); and how the series became a pervasive part of American popular culture. The film includes interviews with virtually all of the people involved in the production of the film series, including all the main performers. Personal movies taken on the shooting sets and early ape makeup test footage (with Edward G. Robinson and James Brolin!) are also featured.
Genre: Documentary
Production: Van Ness Films
 
IMDB:
7.5
Rotten Tomatoes:
60%
NOT RATED
Year:
1998
127 min
109 Views


(Roddy McDowall) As it took shape,...

..production designer WiIIiam Creber began|designing the more primitive ape society.

I needed to come up with some|ape unearthIy architecture,...

..and so I Iooked at aII the books I couId find|of... you know, to be inspired.

And I found in Turkey there's|a trogIodyte city carved into a mountain.

And I Iiked the shapes and that was|a very strange pIace. And that was it.

It was Iike ''That's what we're gonna do.|I don't know how.''

But we had our meeting with the director|and Arthur and they said ''Yeah!''

(Roddy McDowall)|With the start of fiIming drawing near,...

..the production was hit by the unexpected|Ioss of actor Edward G Robinson.

Voicing concerns over|the Iengthy makeup process,...

..he decided to withdraw|from the roIe of Dr Zaius.

When we got to make the picture and|we said ''Eddy, we gotta have a go'',...

..he said ''Guys, I can't do it.''

He said ''My heart's shot.''|He said ''I'm too oId.''

And he said ''That makeup|just drove me crazy.''

He said ''I couIdn't possibIy do that,|day after day.'' He said ''I gotta pass.''

(Roddy McDowall)|Studio executives were aIso concerned,...

..this time over the fiIm's escaIating budget.

On ApriI 28th, onIy three weeks|before fiIming was set to begin,...

..the studio cut the production's|55-day shooting scheduIe by ten days.

AII aspects of the production were affected...

..with the exception of the makeup|and wardrobe budget,...

..which remained at aImost|one miIIion doIIars.

Jacobs and the studio finaIIy settIed|on a budget of $5.8 miIIion.

And, on May 21st, 1967,...

..Planet of the Apes|went before the cameras...

..and HoIIywood history|was about to be made.

ln less than an hour we'll fiinish|our sixth month out of Cape Kennedy.

The earth has aged nearly 700 years|since we left it.

While we've aged hardly at all.

Seen from out here, space is... boundless.

lt squashes a man's ego.

l feel lonely.

l leave the 20th century with no regrets.|But... one more thing:

Does man, that marvel of the universe, that|glorious paradox who sent me to the stars,...

..still make war against his brother?

FoIIowing a proIogue estabIishing|the character of astronaut George TayIor,...

..the fiIm's opening sequence|depicted a dramatic spaceship crash.

Striving for reaIism,|FrankIin Schaffner and WiIIiam Creber...

..came up with a simpIe|yet effective visuaI approach.

I convinced Frank to do it subjective,...

..as though you were Iooking out|the front of the spaceship.

A whoIe montage|of kind of tumbIing, crashing.

You just see the hurtIing at the water.

And then the screen goes bIack,|and when it comes up,...

..the camera puIIs back,|you're inside the spaceship.

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Brian Anthony

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Submitted on August 05, 2018

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