Befikre Page #2

Synopsis: Befikre is a story that celebrates being carefree in love. A quintessential Delhi boy Dharam (Ranveer Singh) comes to Paris for work in search of an adventure. Just when he was about to embark on this journey of his life he bumps into a wild, free spirited, French born Indian girl Shyra (Vaani Kapoor). A feisty romance ensues between the two in which both of their personalities- one being an equal match for the other are tested to the limit. Battling their ups and downs, both realize that love is a leap of faith that can only be taken by those who dare to love.
 
IMDB:
3.8
Rotten Tomatoes:
38%
UNRATED
Year:
2016
130 min
666 Views


Sorry.

Thought French might score.

I've tried for hours. No luck.

In desperation I tried French.

Now that's quite honest.

I'm impressed.

See, for something like that,

my friend, I'm buying.

What are you having?

Franois, the same. Two.

Come on up.

- I'm Shyra.

- Dharam.

So Desperate Dharam...

...scan the lovelies.

Who catches your eye?

My eyes are stuck on you,

they won't unstick.

Ah! That's sweet but it's not

gonna work.

- Not into Indian guys.

- I can understand.

Not into Indian guys either.

They smell of fenugreek.

Wicked sense of humour!

Not bad, impressed again.

- Are we doing this or not?

- Come! Yeah.

Show me the girl you fancy.

I'll tell you your chances.

Choosy, aren't we?

No one?

They're all gorgeous.

But I'm stuck on you.

No one else will do.

Thank you for helping me out.

One drink with you

is enough for me.

You'll ditch me soon. So till then,

let's enjoy the moment. Cheers!

Everybody, get ready for the

chicken wings contest!

(CROWD CHEERING)

The winner of the chicken

wings contest gets...

...free food and drinks for a year!

Now you're talking!

I dare you!

You win, I party with you.

Is that so?

Delhi folk can be weak in matters

of the heart, but not in dares.

You're on.

Ok.

Here's a player!

(WHISTLE SOUND)

Your smile is bewitching.

I'm crazy about you.

Desire takes me over.

Your voice melts me.

The girl's like a heady drink.

Like a soaring kite

cutting another.

She reeled me in,

no time to cut loose.

Like a lofty kite, a dervish entranced.

In a flash I was high.

Like a shock wave,

a search warrant.

Like a secret download.

The girl's like a heady drink.

Like a soaring kite

cutting another.

Like new spring,

like a clean slate.

Like cement filling

the cracks.

Like sparring sexy eyes.

Hitting the jackpot at last.

Her name is all over my lips.

She runs in my veins.

Like a crazy tale,

she's wild youth.

Like ice melting through

your fingers.

Like a river flowing,

mischief smiling.

Like a favour that's big trouble.

She reeled me in,

no time to cut loose.

The girl's like a heady drink.

Like a kite cutting another.

Like a kite flying over rooftops.

Crossing the crossroads

of my heart.

Smiling she wanders,

she roams.

She grabs my heart.

Your smile is bewitching.

I'm crazy about you.

Desire takes me over.

Your voice melts me.

Leaving?

Party's over, back to real life.

Without my number, how will you

call when you miss me?

Cute!

(LAUGHS)

You know I recently broke up.

Wanna be single for a bit.

Wasn't looking to hook up

last night...

...but your goofy lines, your

sexy dance moves got me.

I just let go.

So no phone calls, please.

Leave me your number.

Rate this script:3.7 / 3 votes

Aditya Chopra

Aditya Chopra (born 21 May 1971) is an Indian filmmaker. His work as a director includes Dilwale Dulhania Le Jayenge (1995), Mohabbatein (2000), Rab Ne Bana Di Jodi (2008) and Befikre (2016).He is also the current Chairman of India's multi-national film, media and entertainment conglomerate Yash Raj Films (YRF). Chopra has written and produced a number of critically acclaimed and commercially successful films under the banner such as Veer-Zaara (2004), Fanaa (2006), Band Baaja Baaraat (2010), Jab Tak Hai Jaan (2012), the Dhoom series (2004, 2006 & 2013), Sultan (2016) and the Tiger series (2012 & 2017). He has broken away from typecast through production of off-beat films such as Kabul Express (2006), Chak De! India (2007), Rocket Singh (2009), Dum Laga Ke Haisha (2015) and Hichki! (2018), that do not necessarily fit into the realm of "Masala films". Chopra is also the first to move towards a true film studio model through independent projects helmed by producers, writers and directors under his banner. Major production and post-production work of the company is now carried out of YRF Studios (co-founded by his ex-wife Payal Khanna), where Chopra serves as Chief Executive. As of March 2018, he has produced eight films that have accumulated worldwide gross earnings of more than ₹200 crore, which is the most for an Indian film producer. In December 2009, Chopra rejected an extremely aggressive acquisition bid by Walt Disney, valued upwards of ₹2500 crore, to remain and continue purely as an independent entity exclusively funded by domestic enterprises. Apart from emerging as an equitable brand, his company has earned the status of a movie movie mogul, through distribution networks spread across the globe. With a majority of his work being part of the highest grossing films of all time, the company is estimated to be net worth ₹6350 crore (FY17/18) by multiple NSE and BSE analysts, thereby making it the biggest and most successful film production company in the history of Cinema. The Government of India honoured him with the National Film Award for his contribution to the arts, on three separate years (1995, 2005 and 2007) through the Directorate of Film Festivals. In June 2018, he was awarded membership into The Academy by the Producers Guild of America. Widely regarded as one of the most influential and powerful executives in Indian entertainment, Chopra has however rejected the publicity and fame that came with being Yash Chopra's son and the Chief Executive of Yash Raj Films. He has remained extremely media-shy and a passive individual, battling constant reports of an alleged dysthymic disorder throughout his three-decade career, resulting in very few public photos of him being in existence. more…

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Submitted on August 05, 2018

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