Ballet 422 Page #5
- Okay.
- Sterli... Ster.
Oh, she needs to do more
with her back leg.
Ster, we want to have you
one more time in the grand jet.
Okay.
In the grand jet,
the toss thing.
I feel like you're
a little late, just, like...
- I feel like you're behind her.
- Yeah.
- Okay.
- Yeah.
I feel like she's already past you,
and you can't get any...
Okay.
- That's better.
- Oh, hey.
- That was better.
- Yeah.
- I just need to travel with you.
- She needs to be...
- so you can really, like...
- Can I try one more time?
- Yeah!
- That's great.
- That's it.
- Good.
Iris 619 at half, please.
670.
No. Oops. 651 at 50.
Come back to N1 once it's clear.
No, you're fine.
Just give me 370. Right.
And update cue 12.
Cue only.
And stand by, bridge,
to pick up the couple
down right...
or down left with cue ten.
You'll come up to half minus.
And then stand by, stage right,
or to switch our light walkers.
If, by chance,
sorry, before you start,
that I don't have their marks...
- Hold please, Katie.
- Yup.
If I don't have their marks slightly
right, can that be adjusted?
Like, I'm worried that they're
gonna end up a little...
- Oh, absolutely.
- Okay.
- Yeah.
- That's not hard to fix.
- Easy fix.
- All right.
Cool. All right.
Bridge, stand by
to pick up the couple
with cue ten, half minus,
and stand by, Penny, to switch
the light walkers, please.
All right, so applause,
applause, applause.
Light cue ten, go.
So add some beginning applause.
Bridge, slowly
picking up the couple.
So 16, go.
And they're now moving.
a little brighter
and fuller at that point.
Light cue 14, go.
Another thing I was wondering...
I don't know if this
would be a bother,
but because
it's so high-waisted...
Can, in the pattern of...
Is this just a half circle?
They're side seams.
Okay, so this is...
This is three pieces?
It's one, two, and three?
- Yes.
- Okay.
Can the sides be, like,
shaped a little bit
to give less fullness in the...
- At the top?
- At the top?
And more flare?
Absolutely. Of course.
Yeah, because that way,
we'll lose...
When she twirls,
it won't get so far away
from her body here,
but it will here.
- Yeah.
- Okay.
Yeah,
so it will just be slightly
more angled and slightly shaped.
Right, not just
a straight line from the... right.
Okay.
- And she'll have...
- Does it feel comfortable?
- It feels great.
- Good.
She'll have...
I mean, this really does
feel secure.
Little trunks to match?
- Okay.
- Yeah.
What happened
with the rolling down?
Yeah, with the straight here,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ballet 422" Scripts.com. STANDS4 LLC, 2024. Web. 8 Jun 2024. <https://www.scripts.com/script/ballet_422_3511>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In