Backyard Page #4

Synopsis: An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women's lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
Genre: Crime, Drama, Mystery
Director(s): Carlos Carrera
  9 wins & 5 nominations.
 
IMDB:
7.0
Year:
2009
122 min
55 Views


Either they were kept captive,

or killed and preserved somehow.

- Where are the others?

- Here.

Sara.

We've perfected the funeral service.

I collect bodies, you bring mourners,

they bring crosses.

The first thing you notice about Jurez

is the extraordinary sky.

A blue that isn't just heavenly,

it's incredibly cobalt.

Then there's the 150 degree sky the ice-cold

wind seems to make bigger by the minute.

Maybe it's because of the surreal sky

we live under surreal circumstances.

A case in point:

remember that serial killer,

the one whose capture

our valiant Governor pinned

on his chest like a medal?

Well, you may recall that

after he went behind bars,

the bodies of another eight

women appeared within days,

and since then, every week another

body, like goddamn clockwork.

But incredibly enough, this

alleged serial killer is still in jail,

as if he could murder from his cell.

Or maybe he does it by...

telepathy?

I have on the line so he can explain

his magical techniques,

Mr. Abdalah Haddad,

the so-called telepathic killer.

How are they treating you in prison?

I can't complain, Mr. Peralta.

I'd like your listeners to know...

that I'm the perfect scapegoat, Sir,

because of my reputation as a

ladies' man and heavy drinker.

You also have quite a rap sheet.

Criminal records in Florida,

Texas, and Ciudad Jurez too.

Yeah, that's true.

Last I heard...

Fabricated evidence.

Yes, I cross into

Mexico every Friday.

I check the books and tell

my managers what to do.

Banks move the money, the rest

is processed by phone or Internet.

- You only visit Jurez on Fridays?

- I might have on a Thursday,

...or Monday, as an exception.

The Sultan called you from jail.

Yes, he left several messages,

but I didn't answer.

He wanted to ask you a favor.

What was it?

I didn't talk to him. I don't

know The Sultan that well.

I hired him, then fired him for the

same reason you think he's the killer.

- Which is...

- Which is that he's sick with hatred.

He hit a secretary, picture that.

I can picture him doing

something as awful

as biting off a teenager's

nipple before killing her.

You two met in jail in El Paso.

In the sex offenders' area.

That's official.

If it's official, I don't see

what your question is.

Are you familiar with the word

"rehabilitate"?

Some say there are jails where

prisoners are rehabilitated,

and jails where they're punished.

I say it depends on the prisoner,

not the prison.

I died when I went to jail,

and I rehabilitated myself there.

You know those eight

women found last month?

Three were kidnapped over a year ago.

Forensics says these women were frozen.

Frozen?

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Sabina Berman

Sabina Berman Goldberg (Mexico City, August 21, 1955) is a writer and journalist. Considered to be Mexico's most critically and commercially successful contemporary playwright, Berman is one of the most prolific living writers in the Spanish language. Her work deals mainly with issues related to diversity and its obstacles. Her style tends toward humor and language, or the need to move beyond the limits of language. She is a four-time winner of the National Playwriting Award in Mexico (Premio Nacional de Dramaturgia Juan Ruiz Alarcón) and has twice won the National Journalism Award (Premio Nacional de Periodismo). Her plays have been staged in Canada, North America, Latin America, and Europe. Her novel, Me (La mujer que buceó en el corazón del mundo) has been translated into 11 languages and published in over 33 countries, including Spain, France, the United States, England, and Israel. "In her plays, there are certain constants worthy of note: a taste for humor; a mistrust of official discourse and indeed, of all discourse in general; the need to surpass both sexual limits and those that apply to literary genres." more…

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Submitted on August 05, 2018

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