Autumn Sonata Page #5

Synopsis: After having neglected her children for many years, world famous pianist Charlotte visits her daughter Eva in her home. To her surprise she finds her other daughter, Helena, there as well. Helena is mentally disabled, and Eva has taken Helena out of the institution where their mother had placed her. The tension between Charlotte and Eva only builds up slowly, until a nightly conversation releases all the things they have wanted to tell each other.
Genre: Drama, Music
Director(s): Ingmar Bergman
Production: Criterion Collection
  Nominated for 2 Oscars. Another 10 wins & 6 nominations.
 
IMDB:
8.3
Rotten Tomatoes:
91%
PG
Year:
1978
99 min
4,950 Views


There is a chasm between emotion

and sentimentality.

The prelude you played speaks of

suppressed emotion, not reveries.

You have to be calm,

clear and austere.

Take the first few bars...

It hurts, but he's not showing it.

Then - brief relief.

But almost instantly it fades away

and the pain remains the same,

not greater, not lesser.

A constant and complete restraint.

Chopin was proud, sarcastic,

impetuous, tormented

and very manly.

He was no sentimental old woman.

This prelude must be played

in an almost ugly manner.

It mustn't be seductive,

it should sound wrong.

Laboured, or successfully negotiated.

Like this, I'll show you.

I see.

- Don't be upset, Eva.

- I'm not upset. On the contrary.

I've worked on these preludes

for forty-five years.

Many secrets still remain,

things I do not understand.

As a child I admired you terribly.

Then I was fed up with you

and your pianos for many years.

Now I'm beginning to admire you

again, in a different way.

- Then there's hope.

- I suppose so.

- Eva, where are you?

- I'm upstairs, Mother!

There you are. I've changed

so that we can go for a walk.

- Isn't this the nursery?

- Yes, it's Erik's room.

You've just left it like this?

Viktor and I often talk of redecorating,

but we don't get round to it.

Sometimes I come here

to sit and think.

- Let's go out now.

- Wait.

Do you feel how peaceful it is here?

Erik died the day before his fourth

birthday... but you know that.

Viktor couldn't handle it - Erik and he

had a special bond.

Outwardly, I grieved for him a lot,

but deep down inside

I feel he is still alive,

that we are still close to each other.

I only have to concentrate a little

and he's right there.

Sometimes, when I'm going to sleep,

I can feel his breath on my face.

Then he touches me with his hand.

He's in his world, but we can

reach each other any time.

There is no boundary,

no insurmountable wall.

At times I wonder what the reality is like

where my boy lives and breathes.

At the same time

I know it can't be described,

as it's a world of liberated emotions.

Do you know what I mean?

To me, man is

an unparalleled creation,

like an unfathomable thought.

Everything exists in man,

from the highest to the lowest.

Man is created in God's own image,

and everything exists in God.

And so man is created,

but also the demons and the saints,

the prophets and the artists,

and all those who destroy.

Everything coexists, grows together.

Enormous patterns that constantly

change. Do you see what I mean?

In the same way, a limitless number

of realities must exist,

not only the reality we can grasp

with our blunt senses,

but a tumult of realities that arch

Rate this script:4.7 / 3 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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