Atlantic City Page #3

Synopsis: Atlantic City is a place where people go to realize their dreams, the promise of the future manifested by the demolition of the old crumbling buildings to be replaced by new hotels and casinos. Someone who recently came to Atlantic City for that promise is native Moose Javian (Saskatchewan) Sally Matthews, who currently works as a waitress at a hotel oyster bar, but who is training to be a black jack croupier and wants to be more cultured, such as learning French, in order to work at the casinos in Monte Carlo. Another dreamer who came to Atlantic City decades ago is Lou Pascal, who has long worked as a numbers runner and who claims to have been a cellmate and thus implied confidante of Bugsy Siegel. Although Lou still dresses to the standard to which he is accustomed, his dream long died as he only works penny ante stuff for Fred, most of his current income from being the kept man of widowed recluse, Grace Pinza. Grace too came to Atlantic City to fulfill her dreams - most specificall
Genre: Crime, Drama, Romance
Director(s): Louis Malle
Production: Paramount Home Video
  Nominated for 5 Oscars. Another 25 wins & 16 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
100%
R
Year:
1980
104 min
683 Views


so piss off!

Listen, I hear you're very big

in circles around here.

Where'd you hear that?

Vegas. Las Vegas.

You heard about me in Vegas?

Oh, yeah! The man to know!

Let me understand something, kid.

You're talking about

Las Vegas, Nevada?

Right, yeah.

That I was the man to know?

Lou, right?

Class dismissed.

Come on, Peppy.

Come on, you little mutt.

This ain't my dog.

Belongs to the lady downstairs.

I'm more of a German shepherd type

of guy. Isn't that right, Peppy?

Doin' the old lady a favor.

There's the building.

A shame you never saw it

in the old days, a real work of art.

They're gonna tear it down now

and build a casino.

Lou, could I borrow your apartment?

My apartment?

Yeah, just for an hour. There's

a hundred bucks in it for you.

- A hundred bucks?

- Yeah.

Let me tell you something, kiddo.

My room ain't exactly

the royal suite of Mr. Casanova.

No, no, it's not for a girl.

It's technical, business.

Who was it told you about me

in Vegas?

Well, you know, it was in a crowd

of people, your name popped up.

Tall fella?

Yeah, yeah, that's the one.

Harry Gropke.

Harry went to Vegas, I think.

It must have been Harry.

Yeah, yeah. Yeah, Harry.

You know something?

I've known Harry for 30 years.

- I haven't seen him in 25.

- Yeah?

I adore attractive,

well-groomed educated women:

You mean, making the church scene?

Forget it, Reverend:

I'm not resting!

Here we are.

No strangers in here!

Dave's staying upstairs. He's from

Las Vegas. Friend of Harry Gropke's.

- I've got business to discuss.

- Not now, Grace. Later.

Where's Cookie's silver cigarette

case? It was here by my bed.

- I see you got a scale.

- Weight Watchers. Measures food.

Get it for me.

Lou, you get back here. You've got

to push the blood back in my feet.

I'll be right back.

Lou, come back!

Come in, come in.

Would you close the blinds?

I need a tablespoon.

That's great. Thanks.

Italian baby laxative.

That's what it is.

You like magic?

Pass your hand over the scale.

What?

Come on! Go on! Do it.

That's $2,000.

Two thousand dollars?

Okay, say abracadabra.

- Come on.

- Come on, say it!

Abracadabra.

That's $4,000.

Could you stash this

for me somewhere?

- Jeez, I don't know.

- It's only for a couple hours.

Look, you know the streets here.

Could you walk me?

I can't leave Grace.

Are you afraid?

I've got a medical problem with her.

- Are you a doctor?

- Doctor?

There's something wrong with

the feet. The blood don't flow good.

Why don't you tell me?

Come on.

- Wait a minute.

- Chrissie, I got a job for ya!

Got your fingers warmed up?

This is not Grand Central Station.

What's wrong with you today?

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John Guare

John Guare (rhymes with "air"; born February 5, 1938) is an Irish American playwright. He is best known as the author of The House of Blue Leaves, Six Degrees of Separation, and Landscape of the Body. His style, which mixes comic invention with an acute sense of the failure of human relations and aspirations, is at once cruel and deeply compassionate. In his foreword to a collection of Guare's plays, film director Louis Malle writes: Guare practices a humor that is synonymous with lucidity, exploding genre and clichés, taking us to the core of human suffering: the awareness of corruption in our own bodies, death circling in. We try to fight it all by creating various mythologies, and it is Guare's peculiar aptitude for exposing these grandiose lies of ours that makes his work so magical. more…

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Submitted on August 05, 2018

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