Assassination Games Page #3

Synopsis: Vincent Brazil and Roland Flint are the two best assassins in the world - but unknown to each other. These two rival assassins form an uneasy alliance to take down a target, which is backed by dirty Interpol Agents.
Genre: Action, Crime, Drama
Director(s): Ernie Barbarash
Production: Samual Goldwyn Films
 
IMDB:
6.2
R
Year:
2011
101 min
Website
259 Views


Come on, we have work to do.

Now we know it was a setup.

I'll make calls,

have you out of the country by tonight.

-I'll handle it.

-No.

Find out if Polo's cousin

still owns those factories by the docks.

You sure about that?

-Yeah.

-All right. I'll make some calls.

Nobody talks sh*t to me.

You always got something to say.

Talk some more sh*t to me.

Stupid b*tch.

-Stop it.

-That's enough.

You still got something to say?

You're disturbing me.

Go and cool off.

Go.

You okay?

No.

Excuse me.

I'm trying to practice.

I'm locked out.

Sit.

Put this on. It will help.

-Hello?

-Despite your unforeseen difficulties...

-...the contract remains open.

-Wait.

Don't move. Stay there. Okay?

There was another shooter.

I thought it was exclusive.

It is. The client has confirmed

that a third party may be involved.

A third party with personal issues.

I also have a possible location

for our polo-playing friend.

You need to leave now.

I'm locked out.

You can wait in the hallway.

Please.

Come on, you have to go now.

Please, can I stay here

just for tonight?

Come on, out.

It'll take him till tomorrow

to calm down.

He sees me now,

he'll put me in the hospital again.

You need to be gone

in the morning, okay?

And don't touch anything.

The Polo contract is mine.

Exclusive.

I don't care about the money.

It's personal.

You lose me my fee,

it's personal to me.

Sure those antiques still work?

-One way to find out.

-You're the guy from the courthouse.

-Blocked my shot.

-You made me miss.

Touch?.

Look, we're both professionals.

Sure we can come to some sort

of understanding.

What I understand

is you're getting in my way.

Exactly my point.

We keep chasing the same target...

...we'll keep getting

in each other's way.

Then stay out of it.

After that mess at the courthouse,

Polo's gonna be on full guard.

The best way for us to get him

is if we work together.

You get the money

either way, pal. All right?

The whole million.

And a free pair of hands.

Nothing in life is for free.

What's in it for you?

I got history with Polo.

Oh, great. A partner with a vendetta.

Just what I need.

You'll never find him. I will.

I've been doing this

for a long time, my friend.

Oh, you'll find him eventually.

I'll find him tonight.

Like I said, I got history with Polo.

I spent two years of my life

infiltrating his crew.

He's never gonna come back here.

He will sever all his usual contacts

except for one.

-Who?

-We got a deal?

If your intel's for real.

Who's your lead?

The guy who makes his hardware.

Polo loves his toys.

I read about these things.

Very cool.

Careful.

Careful, that's a half-a-million-dollar

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Aaron Rahsaan Thomas

Aaron Rahsaan Thomas is an American television and film screenwriter and producer, as well as an adjunct professor at the University of Southern California School of Cinematic Arts. Thomas was born and raised in Kansas City, Kansas, and attended the Pembroke Hill School in nearby Kansas City, Missouri. Thereafter, he attended the University of Southern California School of Cinematic Arts in Los Angeles, where he remained afterward and lives today. Thomas began his professional career as a writer's assistant on the TV series Soul Food. Since then, he has written and produced episodes for other TV series, including Friday Night Lights, Numb3rs and CSI:NY. His feature film screenwriting credits include Weapon, starring Jean-Claude Van Damme, and Cover, directed by Bill Duke. In 2006, Thomas was nominated for a Writers Guild of America Award for Best New Series for his work on the first season of Friday Night Lights. The following year, the Writers Guild of America nominated him for its Best Dramatic Series award for his work on the second season of Friday Night Lights. He was nominated for the same award the next year for his work on the third season of Friday Night Lights. Thomas additionally has been nominated for two NAACP Image Awards for his work on Friday Night Lights. more…

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Submitted on August 05, 2018

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