Arctic Tale Page #5

Synopsis: Two narratives -- the life cycle of a mother walrus and her calf, and the life of a polar bear and her cubs -- are used to illustrate the harsh realities of existence in the Arctic.
Production: Paramount Vantage
  1 win & 1 nomination.
 
IMDB:
7.0
Metacritic:
64
Rotten Tomatoes:
62%
G
Year:
2007
96 min
£598,103
Website
267 Views


Nanu goes aboard in a solitary life.

Good, not so solitary.

Before that waited...

... the spring warmth

rtico wraps.

The hunt lands are flooded.

Here there are not seals.

For that reason,

Nanu leaves the ice that he/she knows behind...

... with the hope of finding

something that to eat.

What is.

The you plow you of pick width they are

a novelty for her.

They will only be bites for her...

... but given the circumstances,

it is worthwhile to prove them.

Nevertheless,

Nanu is about to discover...

... that these birds are very special.

It is an impossible mission for Nanu.

What bird class it furrows

the sea instead of the sky?

And then, something even stranger.

Creatures that he/she had never seen.

Nanu meets

with a flock of tusks...

... the unicorns of the sea.

Their sensitive ivory teeth,

of nervous multiple terminations...

... they allow them to analyze the air and the one

sea...

... to know the temperature and the climate.

As an arctic lost tribe,

the tusks wander for the sea...

... silent witnesses

of the change of the time.

The arctic ice had never been broken

so early and in such an abrupt way.

The hunt you impossible restitution.

Contrary to Nanu,

the fox doesn't know how to swim.

Before the melting of the ice,

he/she will have to say goodbye of their it dares.

Nanu faces its own crisis.

It had never been beached

in broken ice.

He/she had never been so hungry.

He/she had never lived situations

in those that the maternal teachings...

... they didn't help her at all.

Sea inside...

... the flock of tusks clings

to the few rafts of ice that are.

Such it is the packing,

that the spirits become warm.

Seela had never experienced

a bad year of ice.

The adults yes...

... although never one so hard.

A tusk incites to the collective decision

of abandoning the ice in setback.

They will have to look for a new home.

Not they can go to the coast

near the mountain of snow...

... because that is the habitation of the bears.

So they opt

for the open dangerous sea...

... in search of a distant island

that it covers them.

They will travel night and day

during one week, about 320 kms.

In the broken field of ice...

... the world of Nanu seems

to be being perturbed.

It should remain on the remains

of ice, where there is not food?

Or to follow the scent of the prey

toward the unknown sea?

This is the moment to show value.

But without a lot of hurry.

Impelled by a strong will

of survival, he/she takes a risk everything.

At the end, they arrive at a refuge in the one

sea...

... a rocky island.

The flock is exhausted.

But before resting...

... they should find where

to ascend to the surface.

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Linda Woolverton

Linda Woolverton (born December 19, 1952) is an American screenwriter, playwright, and novelist, whose most prominent works include the screenplays and books of several acclaimed Disney films and stage musicals. She became the first woman to write an animated feature for Disney by writing the screenplay of Beauty and the Beast, the first animated film ever to be nominated for Best Picture at the 64th Academy Awards. She also wrote the screenplay of The Lion King, and adapted her own Beauty and the Beast screenplay into the book of the Broadway adaptation of the film, receiving a Tony Award nomination for this. more…

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Submitted on August 05, 2018

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