Arabesque Page #3

Synopsis: Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister.
Director(s): Stanley Donen
Production: MCA Universal Home Video
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
64%
UNRATED
Year:
1966
105 min
344 Views


our little street urchin has already invited me.

How bothersome.

You are working on the cipher,

aren't you?

Let's not talk about work.

Let's talk about you.

Please, listen.

I don't know what Nejim has told you-

There you are, Yasmin.

I hardly expected to find you here.

- In her own house?

- In the library.

Yasmin has so many talents,

she has practically no time for reading.

I'm sorry to tell you this,

my dear, but Mr. Pollock is as poor as a church mouse.

- Will you come

and change for dinner? - Excuse me.

Those slippers

are absolutely beautiful, my darling.

Are you wearing them for my benefit?

Of course, Nejim.

Mr. Pollock does not have

your exotic refinements.

He prefers nighties.

She said it, I didn't.

Mr. Pollock...

some Bedouins are in the habit

of saying to their guests,

I am not one of them.

Delicious, Beshraavi.

What is it, squab?

- Lark.

- "Lark"? Good heavens.

They've been soaked in honey

for eight days.

What about you, Mr. Pollock?

Or is the prospect too exotic?

I trust you'll notify

my next of kin.

Go on, Mr. Pollock.

Courage.

Oh, I am sorry.

That's all right. I've always had a sweet tooth.

I hate being clumsy.

I despise it.

But you never are, my dear.

This is the first time

I've seen you be so gauche.

You've dropped something.

Well... so I have at that.

What do you suppose it is?

It looks like a little

piece of folded paper, doesn't it?

Let's see if there's

anything written on it.

Was that you?

I'm terribly sorry.

Let's see if there's

anything written on it.

There is something

written on it.

Don't keep it a secret.

What is it?

It's a prescription.

I suffer from indigestion.

All those dry books

I try to digest.

Perhaps we can have it

made up for you.

There's an all-night chemist

just around the corner.

Don't bother.

No bother.

One of the servants-

It would be for them. It's absolutely unnecessary.

I think I'd better be

getting back to work.

The dinner

was delicious...

and... that was

quite a lark.

Well-

He certainly was strange,

even for an American.

I'm sure you and Mr. Beauchamp

have business to discuss,

so I'll develop

a splitting headache before your talk gives me one.

Good night, Mr. Beauchamp.

Good night, Miss Azir.

When are you going

to let me show you around my bank?

The moment I find myself

in need of refinancing.

You, I'll see later,

no doubt.

Beauchamp,

you've been oozing good fellowship all evening.

When a banker oozes,

someone's in a lot of trouble.

Let us have

your bad news.

I was too discreet

to mention it in front of your guests,

but do you know

what they've been saying about you on the exchange?

Your brokers gossip

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Julian Mitchell

Charles Julian Humphrey Mitchell FRSL (born 1 May 1935) is an English playwright, screenwriter and occasional novelist. He is best known as the writer of the play and film Another Country, and as a screenwriter for TV, producing many original plays and series episodes, including at least ten for Inspector Morse. Mitchell was born in Epping, Essex, and educated at Winchester College, where he won the English Verse and Duncan Reading Prizes. He did his national service in submarines 1953-55 as a Sub Lt RNVR. He then went to Wadham College, Oxford and received a BA with first class honours in 1958. This was followed by a period as a Harkness Fellow in the USA (1959–61). He earned an M.A. in 1962 at St. Antony's College, Oxford. Since 1962 he has been a freelance writer. In the late 1960s, Mitchell co-wrote the teleplay Arthur (Or the Decline and Fall of the British Empire) with Ray Davies of The Kinks. It was never produced, though it gave rise to the band's concept album. He recently recalled the aborted project: "Arthur had a most unhappy history. It was originally meant to be a ... sort of rock opera, and we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man." Mitchell has written nine produced plays, including Another Country, which won the SWET (now Olivier) Award for best play of the year (1981), and After Aida (1985), a play-with-music about composer Giuseppe Verdi. Mitchell has screenplay credits for five feature films. The earliest was Arabesque (1966), which was directed by Stanley Donen. Another Country (1984) is based on Mitchell's own play, and directed by Marek Kanievska. Vincent & Theo (1990) is a biographical film about the famed painted Vincent van Gogh and his brother Theo, and was directed by Robert Altman. August (1996) was directed and starred Anthony Hopkins, and was adapted from Anton Chekhov's classic play Uncle Vanya. Wilde (1997) is based on the life of Oscar Wilde, and was directed by Brian Gilbert. In 2007 he wrote the BBC4 drama Consenting Adults about Sir John Wolfenden and his celebrated 1957 report. more…

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Submitted on August 05, 2018

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