Anchors Aweigh Page #4

Synopsis: Two sailors, one naive, the other experienced in the ways of the world, on liberty in Los Angeles, is the setting for this movie musical.
Director(s): George Sidney
Production: MGM Home Entertainment
  Won 1 Oscar. Another 4 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
62%
PASSED
Year:
1945
140 min
493 Views


the baby's all yours.

Joe. Hey, Joe!

You can't leave me here,

what about my being a wolf?

- You promised me.

- You promised you'd talk to Aunt Susie.

If you don't help me, what will I do?

What will become of me?

Okay. Okay.

Who's he calling?

A girl.

Lola, baby.

Forgotten you?

Oh, honey.

With the picture of you

I've got in my mind?

Why, even across the phone,

I can see every...

Look, let me tell you what happened.

- I found a kid that was lost.

- Joe, I wasn't lost.

So I had to take him home.

I won't be long.

As long as I get there?

Oh, honey, you know I'll get there.

Look, we better talk

about that later, huh?

- Yeah, goodbye.

- What are you going to talk about later?

Things, sailor. Things.

You'll understand when you get older.

- Everybody keeps saying that to me.

- Yeah, they used to say that to me too.

Well, did you understand

when you got older?

Nope.

I wonder what could be keeping

that Aunt Susie.

What can an old lady

be doing out this late?

Susan, don't you wish

that you were up there?

I've never heard his voice sound so

beautiful. There's something about him.

He always gets so much from a singer.

I'd give anything to work with him.

Cut it! Print that.

Okay, children, you go home now

and thanks very much for the day.

No callback.

Good night.

- Mr. Iturbi, I...

- Good night, Susie.

Good night, Tom. I...

- How's that for camera?

- Right on the nose.

Tell me, Bill, when are we going

to shoot the boogie-woogie?

- Good night. Thanks a lot.

- Good night, dear.

- Good night.

- Good night.

Hi, Aunt Susie.

Well, what got you home so early,

your feet give out?

- What?

- Dames like you kill me.

Don't you ever think of anybody

but yourself?

Leaving the little kid alone while you're

out chasing around, having a big time.

Would you mind telling me

just who you are

and what you're doing here?

I'm a guy the police called

when they picked this kid up

wandering around the boulevard,

that's all.

That wouldn't interest you,

so if you step aside, lady...

- Well, just a moment. I don't...

- Don't apologize.

Just clear the deck.

Come on, Brooklyn.

But I...

- Bye.

- Aunt Susie.

- But, Aunt Susie...

- Joe. Hey, Joe. Listen, the kid's crying.

Well, if I had to live

with a dame like that, I'd cry too.

I thought she was sort of nice.

A dame that leaves a kid

alone that way ain't nice.

Wait a minute, please.

You didn't give me a chance.

- Donald explained and...

- Okay, okay.

It was all a mistake, and you're sorry.

But my pal and I got plans

for the night.

- We'd like to get going.

- I haven't got a thing to do.

Well, I thought, if you didn't mind,

that you could come back for a while.

Rate this script:4.7 / 10 votes

Isobel Lennart

Isobel Lennart (May 18, 1915 - January 25, 1971) was an American screenwriter and playwright. A native of Brooklyn, New York, Lennart moved to Hollywood, where she was hired to work in the MGM mail room, a job she lost when she attempted to organize a union. She joined the Communist Party in 1939 but left five years later. Lennart's first script, The Affairs of Martha, an original comedy about the residents of a wealthy community who fear their secrets are about to be revealed in an exposé written by one of their maids, was filmed in 1942 with Spring Byington, Marjorie Main, and Richard Carlson. This was followed in quick succession by A Stranger in Town, Anchors Aweigh, and It Happened in Brooklyn. In 1947, the House Un-American Activities Committee (HUAC) began an investigation into the motion picture industry. Although she was never blacklisted, Lennart, a former member of the Young Communist League, testified to HUAC in 1952 to avoid being blacklisted. She later regretted this decision. Lennart's later screen credits include A Life of Her Own, Love Me or Leave Me, Merry Andrew, The Inn of the Sixth Happiness, Please Don't Eat the Daisies, The Sundowners, and Two for the Seesaw. In 1964, Lennart wrote the book for the Broadway musical Funny Girl, based on the life and career of Fanny Brice and her tempestuous relationship with gambler Nicky Arnstein. It catapulted Barbra Streisand to fame and earned her a Tony Award nomination. In 1968, Lennart wrote the screen adaptation, which won her a Writers Guild of America award for Best Screenplay. It proved to be her last work. Three years later, she was killed in an automobile accident in Hemet, California. Lennart married actor/writer John Harding in Las Vegas, Nevada in 1945. They had two children, Joshua Lennart Harding (December 27, 1947 - August 4, 1971) and Sarah Elizabeth Harding (born November 24, 1951). more…

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Submitted on August 05, 2018

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