Amour Page #7
GEORGES:
Right now everything’s fine. I’ll
let your wife know as soon as we
need anything.
SUPERINTENDENT:
(to Anne)
It’s nice to have you back, Mrs.
Laurent.
ANNE:
Yes. Thank you, Mr. Mery. Thank
you.
17.
The superintendent hesitates another moment.
ANNE (CONT’D)
Yes, thanks.
SUPERINTENDENT:
Yes... So... Goodbye then, ma’am.
Welcome home again. Goodbye, Sir.
GEORGES:
Goodbye, Mr. Mery.
SUPERINTENDENT:
Goodbye.
He leaves the apartment.
There is a brief moment of perplexity. Then Georges says:
GEORGES:
(with a nervous smile)
Where do you want...
ANNE:
In the living room.
Georges pushes her toward the living room door, walks around
the wheelchair, opens the door, comes back behind the
wheelchair and pushes Anne into the LIVING ROOM.
The doorway is narrow. The wheelchair only just passes
through it. Georges pushes Anne toward the sofa and the
armchairs and then steps in front of her.
GEORGES:
Shall I make some tea?
ANNE:
(with a faint smile)
First come sit with me.
George registers her smile; he knows he’s behaving in a
clumsy way. He sits down in one of the two arm chairs.
ANNE (CONT’D)
Can you help me into the chair?
Georges stands back up.
GEORGES:
(eagerly)
Of course.
18.
He extends his hands. She puts on the wheelchair brake, lifts
the footrest with her left foot, raises her right leg from
the footrest with her left hand and then extends her left arm
to Georges.
ANNE:
It’s best if you put my arm around
your neck and your right arm around
me, that way it’ll be easy.
He does as he is told, pulls her up as they hobble together
the short distance to the second arm chair. Cautiously, he
lowers her down and helps her sit herself straight. Because
they are not used to it, the whole process appears awkward
and clumsy.
ANNE (CONT’D)
Thanks.
He smiles because it seems silly to him to answer “Don’t
mention it”. Then he sits down opposite her.
LONG PAUSE.
At first they are both ill at ease, but then they accept the
fact that words do not come easily. After a long while,
during which we hear the intermittent sound of the TRAFFIC
below.
GEORGES:
(softly almost to himself)
I’m glad you’re back.
ANNE:
(in a voice just as soft)
Me too.
Another PAUSE. Then Anne says:
ANNE (CONT’D)
Promise me one thing.
GEORGES:
What?
ANNE:
Please never take me back to the
hospital.
GEORGES:
What?
PAUSE.
19.
She looks at him. He has understood.
ANNE:
You promise?
GEORGES:
Anne...
ANNE:
You promise?
PAUSE.
GEORGES:
Anne, I...
ANNE:
Don’t talk right now. And don’t
give me any lectures. Please.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Amour" Scripts.com. STANDS4 LLC, 2024. Web. 9 Jun 2024. <https://www.scripts.com/script/amour_552>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In