All or Nothing Page #6

Synopsis: Penny's love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil's and Penny's life, but when an unexpected tragedy occurs, they are brought together to rediscover their love. All or Nothing is set on a London working-class housing estate over a long weekend, and also tells the stories of a range of Phil and Penny's neighbors, some of whom become involved in the family's lives, and all of whom experience an emotional journey.
Genre: Drama
Director(s): Mike Leigh
Production: MGM Distribution Company
  3 wins & 13 nominations.
 
IMDB:
7.6
Metacritic:
72
Rotten Tomatoes:
82%
R
Year:
2002
128 min
Website
396 Views


I'm pregnant.

No, you ain't pregnant.|You're on the pill.

I know I'm on the pill,|but I'm having a baby.

Bollocks.

It's yours.

No. You're having|a f***ing laugh.

It's not very funny, is it?

How do you know?

How do I know I'm pregnant?

Yeah, how do you know|you're pregnant?

I went up the doctor's.|- When?

Two weeks ago.|- Two weeks?

You've f***ing known|for two weeks...

and you didn't bother|to tell me?

I haven't seen you|for two weeks, have I?

Bollocks!|You seen me on Thursday!

And when I do,|you're always shouting at me!

F***ing hell, Donna!

For f***'s sake.

All right, Carol?

What?

What's that look for?

What look?

You give us a f***ing look.

No, I ain't.|- Yeah, you did.

You getting the hump again?

I ain't got the hump.|- Don't get stroppy with me.

I ain't getting|stroppy with you.

Ain't ya?|- No.

I'm your mate.|We're all mates, ain't we?

Yeah.|- There you are. See?

Don't take|no f***ing notice of me.

I ain't taking no notice of you.

You've been a good friend|to me, Maureen.

Yeah, I have.

I love you.|- I love you, too, Carol.

Do you?|- Yeah.

It's all right, Carol.

Penny.

Pretty girl.

Your turn.

Do you love me?

Yeah.

I'll bet you stopped|taking the pill on purpose.

Of course I never.

That's exactly what you'd do|just to f***ing keep me.

You think so?|- Swear on your mum's grave!

She ain't dead yet.|- I mean it, right?

If I ever found out|you did that to me...

I'll f***ing kill you, you slag!

Go on, then. Kill me!|- Oh, f***.

Listen to me. This doesn't|have to be a big thing.

It is a big thing.|- No, it ain't, Donna.

This happens all the time|to people.

All you've gotta do|is get rid of it, yeah?

I ain't a wanker.|I'll give you a bit of money...

and I'll even come along|and sort it with you.

That's nice of you.|- It's done and dusted, then.

Just like that.

Simple.|- Simple.

I mean it, right?

If you keep it,|I'm f***ing walking.

You want to stay with me,|you f***ing get rid of it.

And that's it, is it?

What do you want|to have a kid for?

How are you gonna feed it?|Support it?

I don't want to be a dad, Donna.

I ain't up to it! I don't|even want to be with you!

F*** off!|- Yeah.

I been thinking about it|for a couple of months now...

thinking about|chucking it all in.

All we ever do|is f***ing argue, innit?

Isn't that the truth?

It's doing my f***ing head in.

You know when I went|up to Newcastle...

with Cookie and the boys?|We was in a club.

I pulled the best little bit|of p*ssy ever in the toilet.

F*** off!|- Don't you dare!

She had a lovely pair of tits,|tight ass...

and I'll tell you what,|she gave me...

the best f***ing blow job|I've ever had in my life...

ten times better|than you could ever give it.

Rate this script:0.0 / 0 votes

Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

All Mike Leigh scripts | Mike Leigh Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "All or Nothing" Scripts.com. STANDS4 LLC, 2024. Web. 8 Jun 2024. <https://www.scripts.com/script/all_or_nothing_2512>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    All or Nothing

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.