Alexander the Great Page #5

Synopsis: An epic film that follows the life of Alexander the Great, the macedonian king that conquered all ancient greek tribes and led macedonian army against the vast Persian Empire. Alexander conquered most of the then known world and created a greek empire that spanned all the way from the Balkans to India.
Director(s): Robert Rossen
Production: United Artists
  1 nomination.
 
IMDB:
5.9
Rotten Tomatoes:
0%
NOT RATED
Year:
1956
141 min
2,035 Views


If I brought you proof, and you brought

me proof, and we swore to heaven?

Here we stand,

and you believe in me or you don't!

I want to.

- And I want you to.

- Then listen.

And listen carefully, boy. This woman...

- My mother.

...wants to rule.

She is the queen.

You asked for blunt words -

so she's called.

There is no love between us. She can

only rule through you. You are her power.

And her pawn.

- I'm no one's pawn.

- Are you sure?

A rumour here in Pella -

the Macedonian army is defeated.

Philip is dying. Philip is dead.

Rumours, rumours.

- Spread by whom?

- By her. Here in Pella, chaos.

Who rules? She does.

Antipater, my regent, dare not oppose her,

for she claims she rules for you.

To back up that claim, she calls on

her brother, the king of Epirus.

For the first time

since I took power in Macedonia,

a foreign army stands on its borders.

Now she has the power she seeks, for

Antipater dare not use his troops in war.

So he gives in to her, for he knows that

I may need those troops. And I do!

Now there's no longer chaos in Pella,

there's murder.

Some of my best men died.

What does it matter that the Macedonian

Empire crumbles? She rules in Pella!

This is why Attalus

stood opposed last night at Mieza.

Is it?

And why Parmenio stood in silence.

They were afraid of her hold on you.

I am not.

Alexander, as your first act as regent,

send your mother away.

- Exile my mother?

- Back to her kinsmen in Epirus.

- She'll be happy.

- Is that the cost of my proof?

How do you think I came to power?

My brothers...

I know. You slew them.

Do you want me to do that, too?

Why didn't you ask me this

last night in Mieza?

And if I do this, then, Father,

I'll be your pawn, won't I?

Aristotle was right.

You're not ready to rule.

All you're fit for is to fight and die

like any Macedonian soldier.

Then at least live like one.

Get drunk. Choose a woman.

I do!

I choose her!

Young fool!

Fool! You fool!

By my right as king,

I give you, Alexander of Macedonia,

the seal of regency.

With this seal, you rule in my absence

as though you were king.

You have the power to collect taxes, raise

troops, make war and hold royal court.

For as it is with the king,

according to ancient Macedonian law,

so it is with his regent.

He is, in his single person,

lord of all things,

both open and secret,

at once general and absolute.

I am leaving Antipater

here as your adviser.

Alexander, there's another

ancient law of kingship -

to trust no one,

and to learn how to be alone.

Are you asleep?

No.

You're regent now.

Not because he wanted it so,

but because he had no choice.

You're regent now.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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