After the Rain Page #3

Synopsis: Ihei Misawa and his wife Tayo, stranded by rains at a country inn, bring a great deal of happiness to the other residents of the inn by means of Ihei's generosity and good spirit. Ihei is a masterless samurai and fencing expert. Ihei comes to the attention of Lord Shigeaki, who hires him as fencing instructor for Lord Shigeaki's men. But Ihei's expertise causes friction and jealousy in Shigeaki's castle and his future there comes into doubt.
Genre: Drama
Director(s): Takashi Koizumi
  14 wins & 6 nominations.
 
IMDB:
7.8
Year:
1999
91 min
471 Views


and I'm called Masahiro.

His lordship summons you to the castle.

Give us the honor of your acceptance.

I humbly thank you.

Would you give me a moment...

I must prepare myself.

Sure. Take your time.

Divide this between the lot of you.

It's a carp.

Cut in pieces,

it's really delicious in soup.

What a situation!

The lord of the fief summons me.

I know.

But...

What to do? Have you seen my attire...

Put on that kimono.

But... how did you do it?

His Holiness!

Welcome!

I hope my invitation wasn't

too inopportune.

No, not in the least.

Put yourself at ease.

The other day, you have prevented

young idiots of my clan

killing each other.

I thank you again.

please.

Alright... let's cut the preliminary

chatter.

In fact, our master of arms

died six months ago

and still hasn't been replaced.

We're looking for his successor.

I've seen many candidates,

but until now,

none of them were satisfactory.

This room is much to ceremonial

for us to discuss something.

let's go outside.

We'll talk in the garden.

To tell you the truth...

watching you the other day,

I've thought about you as our

master of arms.

That's why I wanted to

get to know you

Without embarrassing you.

In my youth,

I have worked as an

accountant

of a small fief in the north-east.

but, I must confess

that I was bored a lot

staying seated after my desk,

from dawn till dusk...

I left the fief.

You fled?

Yes. Edo, the capital, attracted me,

but I had to run secretly

and I didn't have any money.

and then, what did you do?

A friend taught me

an excellent method.

On the way to Edo,

there are numerous fortifications.

There should be fencing-schools.

Take your chances with them.

Duels?

Certainly not! I wasn't strong

enough for that!

What did you do?

I took on a very serene posture

and, without affronting the students,

I asked the master

to teach me a special stroke.

Thus I affronted the master and

just before he stood up to me,

I would renounce.

You would renounce?

Yes. I would lower my wooden sword,

throw myself to the floor and I would

proclaim that I was defeated.

How would that permit you

to pay your voyage?

My attitude would put the

master in a good mood

and he would do me favors.

He would invite me to his table,

offer me a drink

and he would even go so far as

to give me some money for my travels.

I see!

What a great tactic!

That way I was able to reach Edo.

And what did you do then?

Happy to finally be there,

I roamed the streets

of the capital

When I came across a big dojo.

I hesitated for a moment

but, decided to make it my ultimate

goal, I stepped over the threshold.

I arrive at Tsuji Gettan's,

Rate this script:4.7 / 3 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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