Affair in Trinidad Page #5

Synopsis: When Steve Emery arrives in Trinidad at the urgent request of his brother, he is stunned to find that his brother has not only been murdered, but that his brother's wife Chris is succumbing to the seduction attempts of the man who quite possibly is the murderer. His feelings are further exacerbated when he discovers that he, too, is becoming strongly attracted to Chris, who is a steamy cabaret singer. She, in turn, is playing off one against the other while betraying the secrets of both men to the police, for whom she is secretly working.
Director(s): Vincent Sherman
Production: Columbia Pictures
 
IMDB:
6.7
NOT RATED
Year:
1952
98 min
158 Views


and we shall try to conclude this hearing

as rapidly as possible.

You have heard Mr. Wittol and the others

describe your husband's state of mind.

Do you agree substantially

with what has been said?

- Yes.

- Do you have anything to add?

No.

In your presence,

did your husband ever speak of suicide?

Yes, many times.

- Inspector Smythe?

- No questions, sir.

That'll be all, Mrs. Emery.

- We have no further evidence to present, sir.

- Very well, then.

Since there is nothing

to conflict with the presumption of suicide,

this inquest rules

that the deceased died by his own hand.

This hearing is adjourned.

Look this way, Mr. Fabian.

Flowers?

- Thank you.

- Buy some flowers.

No.

Chris, the worst tortures

are those we invent for ourselves.

You feel guilty about Neal?

- Oh, I suppose so.

- Don't. It was not your fault.

You were very good to him.

He said as much to me, many times.

- Thank you, Max.

- You must forget what's happened.

Your life is ahead of you now.

You deserve some happiness.

I want you to make me a promise.

I want you to promise

that you'll let me help you.

I will, Max, only...

Well, right now, I don't know

what I want to do, where I want to go. I...

I just feel numb and tired.

Would you like to come in?

Everything thrives in the tropics,

including gossip.

It might be better if I didn't.

You're a good friend, Max.

But in a few days, perhaps you could come

to the house for dinner.

- I'd like to.

- Shall we say Sunday?

Sunday.

Goodbye. And thank you.

You're Steve. Dominique told me.

And I know who you are.

I read about you in the paper.

What happened to him?

Can't we talk about it later?

We'll talk about it now.

Well, there were so many things.

- Not enough success...

- I heard all that at the inquest.

I wanna know what really happened.

What's the matter,

you think I'm down here by accident?

Neal wrote

and asked me to come down here.

I got a letter in my pocket not five days old.

- A letter?

- Yeah.

Why would he ask me to come down here

and then kill himself?

But I...

Well, you remember what he was like.

- Temperamental, moody...

- He was moody for 30 years.

Now, will you stop

giving me a lot of double talk?

I want some answers that make sense.

- Look, I know you've had a shock...

- Yeah, but not you.

No, you walked out of that inquest

like you were on your way

to a cocktail party.

Just a minute.

What makes you think you can rush in here

and talk to me like this?

What do you know about me?

I just have to look at you

to know what happened.

I can see how Neal fell for a dame like you,

and I know the kind of time you gave him.

It's too bad I got here a few days too late.

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Oscar Saul

Oscar Saul (December 26, 1912, New York City – May 23, 1994, Los Angeles) was an American writer. Saul wrote or collaborated on the screenplays for numerous movies from the 1940s through to the early 1980s. His best-known work was on the screen adaptation of Tennessee Williams' A Streetcar Named Desire. more…

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Submitted on August 05, 2018

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