A Woman Is a Woman Page #5

Synopsis: Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea. Emile will have none of it so she goes after Emile's friend Alfred.
Genre: Comedy, Drama, Romance
Director(s): Jean-Luc Godard
Production: Rialto Pictures
  2 wins & 1 nomination.
 
IMDB:
7.6
Metacritic:
71
Rotten Tomatoes:
87%
NOT RATED
Year:
1961
84 min
Website
1,611 Views


You idiot.

I'm not speaking to you.

I'm not speaking to you either.

We're not speaking?

We're not speaking.

My fanny's cold.

Go to sleep.

I have a cold fanny.

We're not speaking.

MONSTER:

EVA-CUATE YOUR ASS OUT OF HERE

EXECUTIONER:

PERUVIAN MUMMY:

CON ARTIS:

SARDINE:

ALL WOMEN:

TO THE FIRING SQUAD

What is it?

I can't hear a thing.

- What is it?

- Call for you.

Coming.

There's a trembling in my heart

And my hands are shaky

No one could possibly be

more unhappy than me

Who's calling?

I'm calling.

Why "no kidding"?

Nothing. Just "no kidding. "

No, I don't forgive you.

Yes, I forgive him.

What?

Why...

When I begged you for a baby.

I went... brrr.

I just remembered...

you piss me off!

- Something wrong, Mr. Recamier?

- She can go fry an egg.

My face looks just awful

but I have a cute...

- Now what?

- Phone.

Coming.

Hi, Alfred. Just a second.

I'm listening.

Well...

something important came up.

Yes, last night.

Last night.

What "no kidding"?

Nothing. I said "No kidding. "

Not right now.

Because.

Not right now.

In a half hour at Chez MarceI.

In a half hour at Chez MarceI.

What?

I said okay.

Don't you understand French?

How are you?

How's Jules and Jim coming along?

Moderato.

Hey, Suzanne, you okay?

No, I wanted to see you.

What're you reading?

Shoot the Piano Player?

I saw the movie.

Aznavour is fabulous.

The factory gave me the sack.

For handing out tracts.

That why you called last night?

Think I could temp at the Zodiac?

Can't the Party help?

They kicked me out, too.

No kidding?

I always got up too late

to sell the Sunday paper.

How much does stripe-ties pay?

- Striptease.

Stripe-ties.

It's American, not English.

- Really?

- I'm telling you.

You don't mind undressing for men?

No, I despise humanity.

So do I.

- What's the pay?

- Thirty francs a day.

Think I can try it out?

Talk to Luciano,

or else Bianchini.

He wants girls for Marseilles.

My girlfriend Lola went to Marseilles.

She ended up in Buenos Aires.

In that case, try Luciano.

Damn, I forgot to tell you.

Emile just asked me to spy on you.

- What for?

- I dunno.

In case you see Alfred.

- Didn't you break up?

- I'm sorry we did.

- He had nice shoulders.

- I love Emile's knees.

- What good are knees?

- Knees squeeze.

Mr. Luciano.

- What's he looking at?

- The girls from the pool.

Good luck.

- See you.

I'm late.

Hi, Angela.

Been here long?

No, 27 years.

What'll you have?

A Dubonnet.

What shall we talk about?

Dunno.

I'm scared.

So am I.

I'm scared.

Did my call today surprise you?

I wonder.

Were you glad?

I wonder.

What'll we talk about?

I don't know.

I'm thinking.

Rate this script:5.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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