A Woman Is a Woman Page #3

Synopsis: Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea. Emile will have none of it so she goes after Emile's friend Alfred.
Genre: Comedy, Drama, Romance
Director(s): Jean-Luc Godard
Production: Rialto Pictures
  2 wins & 1 nomination.
 
IMDB:
7.6
Metacritic:
71
Rotten Tomatoes:
87%
NOT RATED
Year:
1961
84 min
Website
1,596 Views


These modern women

who try to imitate men.

I'm fed up with all of you.

Manage on your own.

All of us?

Do your own cooking.

All of us?

Meaning?

- You're not the only man on earth.

- Meaning what?

- I want a baby.

We have time.

I mean, honestly.

Really. Sincerely.

What?

- That's right.

I want a baby in the next 24 hours.

You're incredible.

Look at AnquetiI, the cycling champ.

Every time his wife came to visit,

he'd fall behind.

I have to be in shape Sunday.

In that case, I'm leaving.

"In that case, I'm leaving. "

- I am.

- "I am. "

You think I'm crazy. I'm not.

"You think I'm crazy. I'm not. "

I'm going home to Copenhagen.

"I'm going home to Copenhagen. "

Okay, I'll do what you want.

"Okay, I'll do what you want. "

- I want a baby.

- I -

I don't see why, all of a sudden.

Because, right away.

I'm saying it

since I thought you loved me.

But since you don't,

it's quite simple.

I'll just ask the first guy I meet.

- I bet you won't.

- I bet I will.

Then go ahead.

It'll do you good.

Police.

A terrorist just threw a bomb nearby.

Can we look around?

You read the communist paper?

Nice work. Keep it up.

I knew you wouldn't dare ask anybody.

How about those soft-boiled eggs?

How about a baby?

Anybody.

I'll call Alfred.

Shall I get him?

You make me sick.

- Coward.

- All right.

I'll get him.

EMILE TAKES ANGELA AT HER WORD

BECAUSE HE LOVES HER

ANGELA FALLS INTO THE TRAP

BECAUSE SHE LOVES HIM

You heard me.

Is Alfred there?

Come up.

What for?

Just come up.

Well?

What'd you tell him?

- That I want a baby.

- You jerk.

- I said, come up.

- And the lightbulbs?

- I forgot.

- Jerk.

- There are limits.

- What's that mean?

It means what it means.

Don't avoid the issue.

What limits?

I'm acting just like you.

Women have a right

to dodge issues, Mr. Emile.

Men don't.

- By what right?

- Because.

Say something nice.

Leave me alone.

- Please.

- Me too, please.

IT'S BECAUSE THEY'RE IN LOVE

THAT EVERYTHING WILL GO WRONG

FOR ANGELA AND EMILE,

WHO MISTAKENLY BELIEVE

THEY CAN GO TOO FAR

BECAUSE OF THEIR MUTUAL

AND UNDYING LOVE

- What's the matter?

- Emile has something to tell you.

Not me. Angela does.

No, Emile does.

Not me. Emile does.

Absolutely not.

Absolutely not.

What?

Emile does.

Make up your minds.

Breathless is on TV tonight.

- Well, Angela?

- Well, Emile?

Well, Angela-Emile?

Will you sire a child

for the lady present?

Is this a tragedy or a comedy?

With women you never know.

- Come into the bathroom with me?

- May I?

If you mind, say so.

- No, I'm delighted.

Why are you doing this?

I don't know.

Want me to stay?

Want me to go?

Rate this script:5.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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