A Walk in the Sun Page #7

Synopsis: In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
Genre: Drama, War
Director(s): Lewis Milestone
  Nominated for 1 BAFTA Film Award. Another 2 wins.
 
IMDB:
7.3
APPROVED
Year:
1945
117 min
262 Views


getting over to the woods.

The planes will be here in a minute.

Noisy.

- Put out that butt.

Do you know, the lieutenant

never moved his hands?

Good devil never even moved.

Dropping sticks on our transport.

From the sound of the

explosions, they missed.

That was no miss.

No miss, at all.

We'd better sit tight here.

There may be a few

fighters around somewhere.

Don't want any fighters to

catch me in an open field.

- I don't want that either.

Wonder what's happening now.

Plenty. Plenty of plenty.

Must be a honey of

a show on that beach.

Wonder what it will be like

when we hit France, Mac.

I don't know. I've never seen France.

Bet it's just a long concrete

wall with a gun every yard.

What's happening down

there's worth seeing, too.

Bet they'll set the water

afire with oil, too.

Boy, when that day comes, I want

to be somewhere else, far, far away.

This is bad enough.

This ain't so bad. At least

you know where everything is.

You're here and

the bombs are out there.

Simple.

You're where you are

and the guys being killed are

where they are.

It's simple.

- Yeah, I guess you're right.

We've got a grandstand seat.

Yeah. Only trouble is

you can't see nothing.

That's the whole trouble with the

war, you never get to see nothing.

You fight them by ear.

Got to guess what's going on.

Got to guess unless you see.

Sarge, can I go take a look?

You stay where you are.

I want you here.

Good thing, dirt.

I see the planes, Mac.

Six of them.

- Is that all?

It's not many, is it?

Gee, you'd think they'd have a

couple of hundred around, up there.

Just goes to show you...

- Just goes to show you what?

Just goes to show you.

- Funny.

Maybe there's more coming.

No.

Just six of them.

I tell you what, Sarge, what say

I take the glasses and go over the

ridge and take a look at the water?

We ought to know what's going on.

We know what's going on, Mac.

There's no point in it.

No point in guessing.

We got to be getting along

to the platoon.

Sarge, you wouldn't go through

an open field with them planes

up there, would you?

I wouldn't do that.

No. I wouldn't, either.

They're out of range, now.

Probably gone after bigger game.

Suppose I took the glasses

and went over the ridge? Maybe

there's a new landing coming off.

We'd want to know if there was.

It stands to reason.

Go and take a look, Mac.

Go and take a look.

It's just for the record.

Get it off your mind.

I think it's a good idea.

- Don't hang around, though.

Those bombers may be back.

Here, take a good look.

What is it? What is it?

What do you mean?

Come back, McWilliams!

In a minute, Sarge!

Hurry Mac! Hurry!

Come back!

The leg. The right leg.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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