A Talking Picture Page #3

Synopsis: Lisbon, Marseilles, Naples, Athens, Istanbul, Cairo, Aden, and Bombay. Along with a university teacher and her little daughter, we embark on a long journey, experiencing different cultures and civilizations.
Genre: Comedy, Drama, History
Director(s): Manoel de Oliveira
Production: Kino International
  1 win & 2 nominations.
 
IMDB:
6.7
Metacritic:
75
Rotten Tomatoes:
76%
NOT RATED
Year:
2003
96 min
Website
87 Views


You have a lovely little girl.

If I can help in any way,

I'm at your service.

Excuse my boldness,

but when I saw you,

I just had to speak to you.

Don't stand on ceremony.

Please speak.

This is the first time

I've met an Orthodox priest.

We are Roman Catholics.

I teach history at Lisbon University,

and I was trying

to explain to my daughter

what the Acropolis is.

You did well to ask me.

I'm at your disposal

for whatever you may need.

That's very kind of you.

The Acropolis is a real treasure.

Someone once said,

"Never have my eyes seen

such a glorious sight

as this little mount. "

I'm sure anyone who comes here

would say the same.

But as you are probably aware,

the most important monument

in Greece

is the Parthenon over there.

Inside stood

a colossal ivory statue of Athena

draped in gold robes.

It was 33 feet high.

Athena is the goddess of wisdom,

the goddess you Latins call Minerva.

The statue was enormous,

and legend has it

that it was taller than the temple

and could be seen

from no matter

where you stood in the city.

That must have made

the citizens feel protected.

Exactly.

Even more so

because in Greek mythology,

Athena conquered Poseidon

and is now

the patron saint of the city.

What happened to that statue?

Which statue?

The statue of the legend disappeared,

and nobody ever heard of it again.

But the original statue was removed

at the same time

as another even larger statue

cast in bronze,

which was situated

between the great portal

and the Temple of Erechtheum.

In the fifth century AD,

both were taken to Constantinople.

During the reign of

the Christian emperor Theodosius?

Exactly.

- I can see I'm talking to a history teacher.

- What are you saying, Mommy?

We're talking about the statue

of the goddess Athena.

- Was there really such a goddess?

- No, just a statue - actually, two.

But they disappeared, or rather

they were taken to Constantinople.

Can you steal a goddess?

No. You can't steal a goddess.

What was stolen was the statue

that represented

the patron saint of the city.

So was the city left unprotected?

No, darling.

It's the Greeks who protect Greece.

The story of the statue is an ancient

legend that was lost in the mists of time

once the city became

prosperous and rich.

- These are the ruins of those times.

- And what about that one?

What's that one over there?

That's the Temple of Erechtheum

where Poseidon and "Athina"

were worshipped.

Excuse me if I say "Athina. "

That's Greek for Athena, isn't it?

Exactly.

It's the Greek name for Athena.

The name we give

to the goddess of wisdom.

The wisdom of the philosophers,

playwrights, poets and musicians -

Rate this script:4.0 / 1 vote

Manoel de Oliveira

Manoel Cândido Pinto de Oliveira GCSE, GCIH (Portuguese: [mɐnuˈɛɫ doliˈvɐjɾɐ]; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931 he completed his first film Douro, Faina Fluvial, a documentary about his home city Porto made in the city symphony genre. He made his feature film debut in 1942 with Aniki-Bóbó and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money. In 1971 Oliveira made his second feature narrative film Past and Present, a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. Beginning in the late 1980s he was one of the most prolific working film directors and made an average of one film per year past the age of 100. In March 2008 he was reported to be the oldest active film director in the world, and was possibly the second oldest film director ever after George Abbott, who lived to be 107 and 7 months. He was also the only filmmaker whose active career spanned from the silent era to the digital age. Among his numerous awards were the Career Golden Lion from the 61st Venice International Film Festival, the Special Lion for the Overall Work in the 42nd Venice International Film Festival, an Honorary Golden Palm for his lifetime achievements in 2008 Cannes Film Festival, and the French Legion of Honor. more…

All Manoel de Oliveira scripts | Manoel de Oliveira Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Talking Picture" Scripts.com. STANDS4 LLC, 2024. Web. 1 May 2024. <https://www.scripts.com/script/a_talking_picture_22473>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Talking Picture

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.