A Strange Course of Events Page #2

Synopsis: Forty-something Saul is a melancholic dreamer, with a tendency to run whenever things go wrong. He returns to Haifa one day for a reckoning with the father he has not seen in five years. But getting along with an airy-fairy mother-in-law with a penchant for new age, a daughter on the verge of adolescence and a father who's been converted to Yoga is not easy. After a fateful slip, Saul will find his place as son, a father and more.
Genre: Drama
Director(s): Raphaël Nadjari
Production: Vito Films
  1 nomination.
 
IMDB:
5.5
Metacritic:
24
NOT RATED
Year:
2013
98 min
Website
35 Views


No, no, no. Gently!

No, don't do that. Don't press on him!

- What are you -

- ...two, three.

That's it. That's enough.

- Are you okay?

- It's out.

- Are you okay?

- Yes, thank you.

What's going on?

Does your chest hurt?

No. What did you tell him?

He pressed on your chest,

and I wanted him to know.

- Everything alright, sir?

- Yes, thank you.

I don't understand,

do you have a heart condition?

No.

Well, goodbye.

- Want a ride?

- No, it's fine, I'll walk.

Good night.

Thanks.

Beer, please.

Hi, honey. it's Dad.

Wanted to let you knowl'm in Haifa.

I miss you.

How are you, dear?

Love you. Kisses.

Did you sleep well?

- Yaakov.

- Shimon.

What's up?

It's good to see you.

How are you?

You're all grown up. What a surprise.

- Howdid you recognize him?

- How could I not?

It's good to see you.

Well, I've got everything ready for you.

How many packages?

These three packages, and here's the list.

What is that?

Everything you asked for.

Acomputer screen.

Can you look at this?

Memory, 4 GB, the best.

- Hard drive, 500 GB.

- Great.

- Are the cables inside?

- Yes, I've checked.

- Everything's built-in.

- Good.

Is it in Bati's name?

- Bati's store.

- Great.

Give me the car keys,

I'll put everything in the car.

I can't, you're not insured.

Put it outside, I'm coming.

No, it's fine, he'll take it.

You have a 1,200-shekel discount.

As the years go by, it gets harder.

Why? What happened?

I told you about Adam, my son.

He's doing everything wrong.

One big crisis.

You give your entire life.

You think everything's fine,

the business, the family.

Go ahead.

I ask myself, Where did I go wrong?

Where did you go wrong?

- What about what he did wrong?

- No, but -

But? But what?

He's an adult. He's not -

- Coffee, right?

- No.

Coffee, Shimon.

Water.

- You drink, I'll wait outside, okay?

- Fine, I'll be right out.

Good seeing you.

It's not easy.

No present and no future.

What are you talking about?

What's wrong, Yaakov?

Don't be so down,

or you won't get up.

I haven't seen him in five years.

So what?

- Suddenly he just appears?

- Just like that.

- What's up, Dad?

- I'm coming.

- Are you okay?

- Totally.

- What about him?

- It's going well.

- Let me -

- I've got it.

What were you talking about?

Don't talk about me, okay?

Don't talk like that.

Yaakov's my friend.

Dad, just do what I ask.

- Did they load all the stuff?

- I told you they did it already.

- You're still mad at me?

- Yes, they did it yesterday.

I don't want to apply

another coat of paint.

Excuse me,

I have to inspect the boxes.

- No. My father's here.

- It's okay, he's with me.

- How are you?

- Fine.

- How's your dad?

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Raphaël Nadjari

Raphaël Nadjari (Hebrew: רפאל נדג'ארי‬; born 1971) is a French-Israeli writer and director for film and television. In 1993, Nadjari started working for French television as a writer and director. In 1997, he wrote the television screenplay Le P'tit Bleu, which was directed by Francois Vautier for Arte as part of the TV drama collection Petits Gangsters. The same year he wrote and directed his first US feature, The Shade (released in 1999), which starred Richard Edson, Lorie Marino, and Jeff Ware. It was an adaptation of A Gentle Creature by Dostoevsky that Nadjari updated, setting it in contemporary New York City. This film was an official selection for Un Certain Regard at the 1999 Cannes Film Festival and also appeared at the Deauville Film Festival; the film was awarded in Bergamo Film Festival (Italy). At the end of 1999, Nadjari directed his second feature, I Am Josh Polonski's Brother (2001). Starring Richard Edson and Jeff Ware, it was shot on Super 8 mm film in New York. The film opened in Paris on June 6, 2001, and was selected for the Forum for New Cinema at the Berlin International Film Festival in 2001. The same year, Nadjari shot the film Apartment #5c in New York; it was released in 2002. The film starred Richard Edson and Tinkerbell, an Israeli actress, and was selected in Cannes' Director's Forthnight. In 2004, Nadjari filmed Avanim in Tel Aviv with Asi Levi who has been nominated for Best Actress in the European Film Award. The film received also the Best Film award in Cinéma Tous Ecrans and the Best Director award in the Cannes 2005 France Culture Award, Awards at the Seville Film Festival. In 2006 Tehilim was set in Jerusalem and stars Michael Moushanov and Limor Goldstein, two prominent figures of Israeli television and theatre; it has been shown at the 2007 Cannes Film Festival in the Official Selection and won the Tokyo Filmex Best Film Award the same year. In 2009, his documentary A History of Israeli Cinema, a two-episode film of 104 minutes each, telling the story of Israeli Cinema since 1933 until today, was screened at the Berlin film festival forum.In 2013, A Strange Course of Events, a film set in Haifa was screened in the Directors' Fortnight section at the 2013 Cannes Film Festival.Nadjari's 2016 film Night Song (Mobile étoile) won the Tobias Spencer Award (in the Between Jewish and Israeli Identity competition) at the Haifa International Film Festival. more…

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Submitted on August 05, 2018

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