A Shot in the Dark Page #6

Synopsis: When rich M. Ballon's spanish driver is found shot dead, Inspector Jacques Clouseau is the first official on the scene. All evidence suggests Maria Gambrelli, the maid, to be the murderer. But Clouseau, being attracted to the beautiful girl, is convinced that she is hiding something. So, he has her released from jail and tries to follow her secretly. Things do not work out the way the inspector wanted and people keep being murdered, and each time innocent Maria seems to be the killer. But with someone important wanting Clouseau and nobody else to cover this case, his tolerance-challenged boss Charles Dreyfuss is close to losing his mind when casualties keep turning up. And Clouseau keeps on causing trouble without knowing it...
Genre: Comedy, Mystery
Director(s): Blake Edwards
Production: MGM Home Entertainment
  Nominated for 1 BAFTA Film Award. Another 2 nominations.
 
IMDB:
7.6
Metacritic:
70
Rotten Tomatoes:
93%
PG
Year:
1964
102 min
1,312 Views


to do something about your stomach.

(dog barks)

Hey!

Nice dog. Nice dog.

(dog barks)

Nice doggie.

Oh. Excuse me. I just happened

to be passing and l...

Ah. Ah.

Ah.

Ah, my little...

You have been cutting flowers.

You must have been cutting something.

- There's blood all over your shears.

- Ah. Ah.

That's very strange.

Ah!

(Clouseau) Ah.

Facts, Hercule. Facts.

Behind them lies the whole fabric

of deductive truth.

Now, Hercule, let us examine these facts.

One - she was found

with the murder weapon in her hand.

Two - the murder weapon

was fresh with blood.

Three - there were no fingerprints

on the murder weapon but hers,

and four - all the members of the Ballon

household staff have perfect alibis.

Now then, Hercule,

what do these facts add up to?

Maria Gambrelli killed

Georges the gardener.

Idiot. Only a fresh-faced novice would

come up with a conclusion like that.

- But the facts...

- Listen.

Whoever killed Miguel killed Georges

to cover up the first crime.

He is trying to blame this poor servant girl.

Well, who do you suspect?

I suspect everyone.

- I suppose that is possible.

- Possible?

What do you mean "possible"?

l deal in certainties.

I have only to break her down, make

her admit she's protecting somebody

and then force her to divulge his identity.

There can be no more cat and mouse.

No more subtle interrogation.

For her own sake,

and for the sake ofjustice,

I will resort to any means, short

of brute force, to drag it out of her.

True, she will suffer.

But in the end she will be free

and we will have our killer.

- You released her again?

- Yes, sir.

(siren)

Shall we settle this now, or do you intend

making me late for the recital?

We can't just fire her.

She has given us no cause.

Cause? We are up to our necks

in dead bodies.

What are you waiting for?

The last act of Hamlet?

If you compare our household

with a Shakespearean tragedy,

I suggest that Macbeth

would be more appropriate.

Oh, darling, my cue ball.

That was Mme Ballon.

Follow her. When you have discovered

her destination, call me immediately.

(Maurice) lnspector Clouseau.

- Good evening, M Ballon.

- Good evening, lnspector.

There are one or two questions

l'd like to ask.

- Of course.

- Some points need clearing up.

Certainly. Do you play billiards?

Billiards. Yes, l have played

some billiards in my time.

I find it makes for a more relaxed and

friendly conversation. How about you?

- Yes.

- Take a cue.

Ah. A cue. Yes.

Hm.

That should do.

- That's strange.

- You'd be better with an ordinary cue.

- That's what we call a bridge.

- Ah, the bridge cue, yes.

Yes, l much prefer the good,

old-fashioned, plain cue.

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Blake Edwards

William Blake Crump (July 26, 1922 – December 15, 2010), better known by his stage name Blake Edwards, was an American filmmaker. Edwards began his career in the 1940s as an actor, but he soon began writing screenplays and radio scripts before turning to producing and directing in television and films. His best-known films include Breakfast at Tiffany's, Days of Wine and Roses, 10, Victor/Victoria, and the hugely successful Pink Panther film series with British actor Peter Sellers. Often thought of as primarily a director of comedies, he also directed several drama, musical, and detective films. Late in his career, he transitioned to writing, producing, and directing for theater. In 2004, he received an Honorary Academy Award in recognition of his writing, directing, and producing an extraordinary body of work for the screen. more…

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Submitted on August 05, 2018

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