A Passage to India Page #4

Synopsis: Circa 1920, during the Indian British rule, Dr. Aziz H. Ahmed was born and brought up in India. He is proficient in English, and wears Western style clothing. He meets an old lady, Mrs. Moore, at a mosque, who asks him to accompany her and her companion, Adela Quested, for sight-seeing around some caves. Thereafter the organized life of Aziz is turned upside down when Adela accuses him of molesting her in a cave. Aziz is arrested and brought before the courts, where he learns that the entire British administration is against him, and would like to see him found guilty and punished severely, to teach all native Indians what it means to molest a British citizen. Aziz is all set to witness the "fairness" of the British system, whose unofficial motto is "guilty until proved innocent."
Director(s): David Lean
Production: Sony Pictures Entertainment
  Won 2 Oscars. Another 19 wins & 26 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
81%
PG
Year:
1984
164 min
813 Views


It's very good of you.

- Mr Fielding!

- Yes?

I have long been wanting to meet you.

I have heard many times about

your kind heart and your sociability.

My dear fellow!

And I have seen you in the bazaar.

Ah.

(Fielding hums "The Sun, Whose RaYs

are all Ablaze" by Gilbert & Sullivan)

?The sun, whose rays are all ablaze

with ever-living glory

?Does not deny his majesty,

he scorns to tell a story...

- I say, Mr Fielding.

- Yes?

Before you come out,

guess what I look like.

Well, let's see.

You're about 5ft 9in tall.

- Jolly good!

- I can see that much through the glass.

Blast!

- Anything wrong?

- I've just broken my back collar stud.

Oh. Take mine.

Have you a spare one?

Yes. Yes, one minute.

- Not if you're wearing it.

- No, no. Here in my pocket.

But nobody carries

a spare stud in his pocket.

I always, in case of emergency.

Here it is.

Many thanks.

Oh, and how do you do?

Sit down while I finish dressing,

if you don't mind the unconventionality.

I always thought Englishmen

kept their rooms so tidy.

Everything arranged coldly

on shelves is what I thought.

There are two English ladies

coming to tea to meet you.

- Oh.

- Oh, I think you know one of them.

- I know no English ladies.

- Not Mrs Moore?

- Mrs Moore?

- And Miss Quested, her companion.

Oh. ls she an old lady?

She's a young lady,

and she wants to see lndia.

(both speak Urdu)

They're here,

or will be in a few seconds.

I've also asked our professor

of philosophy, Narayan Godbole.

Oh, the inscrutable Brahmin.

I hope to goodness his food'll be

all right. He's orthodox, you know.

(Fielding) Good afternoon. Welcome.

- (Mrs Moore) How kind of you to ask us.

- (Miss Quested) Nice to meet you.

Oh.

It must have been a small audience hall.

Mrs Moore, do you remember

the tank in our mosque?

- I do indeed.

- Please come and see.

By a skilful arrangement of our emperors,

the same water comes and fills this tank.

My ancestors loved water.

We came out of the desert.

We came over from

Persia and Afghanistan.

And wherever we went, we created

fountains and gardens and...

Ah, Godbole! You know Dr Aziz,

and here are our new visitors.

Mrs Moore, Miss Quested, Professor

Godbole. We didn't realise you were here.

The sun will soon be driving us

all into the shade.

And I was enjoying the water.

Now, Mrs Moore, would you like

to have our tea served inside or out?

Dr Aziz, I wonder if you could explain

a disappointment we had this morning.

Ah, yes. I'm afraid we may have

given some offence.

That is impossible. May I know the facts?

Yes. An lndian lady and gentleman, whom

we met at the club party the other day,

were to collect us in their carriage

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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