A Canterbury Tale Page #5

Synopsis: A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours glue on the hair of girls dating soldiers after dark. The three attempt to track him down, and begin to have suspicions of the local magistrate, an eccentric figure with a strange, mystical vision of the history of England in general and Canterbury in particular.
Genre: Comedy, Drama, Mystery
Production: Archers
 
IMDB:
7.7
Rotten Tomatoes:
85%
NOT RATED
Year:
1944
124 min
547 Views


- Ye -

- You don't?

- No.

- Well, aren't you ashamed?

- Not a bit.

I see.

That stone interest you, miss?

It comes from the old road...

what some folks call the Pilgrims' Road.

Yes. From the bend.

Up there on the hill.

What do you know about our bend?

- I've seen it.

- When?

Three years ago.

Ah. Then it weren't our bend you saw.

It weren't uncobbled then.

No, but the bend was there all the same.

- Is it excavated now?

- Yeah. The whole bend.

- Who gave the money?

- Council.

I'm glad they changed their minds.

They didn't.

We changed our magistrate.

- For Mr. Colpeper.

- For Mr. Colpeper.

Here.

How do you know about our bend?

I spent the whole

of my holiday here once.

I don't call you to mind.

We camped outside the village

in a caravan.

Uh -There ain't been

no caravanners up by our bend...

for the past, uh, eight years.

- That's all you know.

- Ah. Except, uh -

You ain't a ge-geologist?

No. He was my fianc.

Girl, you can come up now.

Your room's ready.

Coming. Good night.

Good night.

If you're stopping tomorrow night I shall

have the Elizabeth Room free. She slept there.

- Who?

- Queen Elizabeth. There's an American in it now,

but he's going in the morning.

- Is his name Johnson?

- Are you the girl?

Yes. We washed it,

but it's still full of glue.

Revolting.

- Extraordinary thing to do, isn't it?

- Silly, I call it.

You'll have to wash your hair again,

several times.

- I'll send you up a kettle.

- Thank you.

This is your room.

Who is it?

It's me. Alison.

Is that you, Bob?

Gee, ma'am. I didn't know

you were stopping here too.

- Why didn't you tell me last night?

- Well, I didn't know myself. I didn't get that job.

- Sorry about the job.

- Oh, never mind about that. What I want -

Let's see now.

Since you didn't get the job...

that means you're

going in with me on the 8:57?

That's just what I wanted

to talk to you about.

Bob, would you mind very much

not catching the 8:57?

Would I mind?

I've got to meet a buddy in London.

- Well -

- And I want to get to Canterbury first.

- I promised Ma.

- Well, we can go in on the evening train together.

- And I've written to Peter Gibbs.

- What's he got to do with it?

"Dear Sergeant Gibbs, you'll have heard

by now that the Glue Man got away.

- But he didn't get far."

- Hmm? You mean they've got him?

- No.

- What kind of a quiz is this?

You met Mr. Colpeper, didn't you?

Yes. He got me this room.

And a swell room it is. What about him?

There's something about him

I don't like.

And he's got a Home Guard uniform.

Oh, don't laugh, Bob. What I want to do

is to snoop around in the village.

Peter can do that at the camp.

And I want you to help me, Bob.

Rate this script:0.0 / 0 votes

Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English film director, celebrated for his partnership with Emeric Pressburger. Through their production company "The Archers", they together wrote, produced and directed a series of classic British films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951). His later controversial 1960 film Peeping Tom, while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged.Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. more…

All Michael Powell scripts | Michael Powell Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Canterbury Tale" Scripts.com. STANDS4 LLC, 2024. Web. 18 Jun 2024. <https://www.scripts.com/script/a_canterbury_tale_5023>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Canterbury Tale

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.