A Canterbury Tale Page #3

Synopsis: A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours glue on the hair of girls dating soldiers after dark. The three attempt to track him down, and begin to have suspicions of the local magistrate, an eccentric figure with a strange, mystical vision of the history of England in general and Canterbury in particular.
Genre: Comedy, Drama, Mystery
Production: Archers
 
IMDB:
7.7
Rotten Tomatoes:
85%
NOT RATED
Year:
1944
124 min
534 Views


This guy may be dangerous.

Have you got a gun?

This is Chillingbourne, Sergeant Johnson,

not Chicago.

- Better use your torch.

- Say, what kind of a crack is that?

I come from Oregon.

Getting tired

of this old Glue Man spoiling our games.

You shouldn't be.

It saves you money the way you play.

I wonder when they're gonna

give us our electric light.

Oi. There's a light in the courtroom.

- There's someone in there.

- Yeah.

- Ready?

- Yes.

Come on.

Let's take him by surprise.

- Anything wrong, Bassett?

- Sorry, Mr. Colpeper.

We didn't know you were still up here.

I see. All right. Can you make me a cup of tea?

I'm sure you've got a kettle on downstairs.

- Here's my cup.

- Yes, sir.

- Sir, the Glue Man's out again.

- How do you know?

An American soldier

and a girl chased him here, sir.

What girl? What American?

Well, the girl who was the incident, sir.

Isn't that right?

Yes, Sergeant.

She's come to work for you, sir.

On your farm.

She's a land girl.

There must be some mistake.

You say they chased the Glue Man here?

Yes, sir. They insist he's somewhere

inside this building.

Well, what are you standing

talking for, Bassett? Get on and search it.

Yes, sir.

- Gee, what a job.

- Is it coming out?

- Beg your pardon, ma'am?

- Any better?

Well, I've got considerable on me,

so there must be less on you...

but there's still plenty on you.

Here you are, miss.

What on earth am I to do?

Soap's no good.

Hot water's the only thing.

- Miss Grainger's boiling a kettle.

- You seem to be an expert.

- She's the 11th incident.

- What about this glue-throwing character?

Captain, you don't mean to say

you let him get away from you?

He got away- if ever he were inside.

- Now we shan't be long, deary.

- Nice work.

Put another kettle on, Miss Grainger,

and make some tea.

Mr. Colpeper's fire-watching.

Oi. Here's his cup.

- Who's Mr. Colpeper?

- Magistrate. Wants to see you.

Oh, he does?

Okay, ma'am?

- Mmm.

- Let's give it another whirl with the hot water.

I guess Mr. Colpeper can wait a while.

Here. We know how to handle this.

Still a bit sticky, sir.

Glad to meet you.

Welcome to Chillingbourne.

You're the first American soldier we've seen.

- Bad luck missing your train, Sergeant, uh -

- Johnson, sir.

Johnson.

- Say, what's that?

- That's the old ducking stool.

Very sensibly used

for silencing talkative women.

Hi! Hi!

Are you there, Mr. Colpeper?

Excuse me.

- That you, Brooks?

- You're showing a light, sir.

Sorry, Brooks.

Very careless of me.

We take our blackout seriously in East Kent.

This your first time in England?

- Yes, sir.

- Do you like it?

Sure, but I haven't seen

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Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English film director, celebrated for his partnership with Emeric Pressburger. Through their production company "The Archers", they together wrote, produced and directed a series of classic British films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951). His later controversial 1960 film Peeping Tom, while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged.Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. more…

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Submitted on August 05, 2018

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    "A Canterbury Tale" Scripts.com. STANDS4 LLC, 2024. Web. 1 May 2024. <https://www.scripts.com/script/a_canterbury_tale_5023>.

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