48 Hrs. Page #5

Synopsis: Renegade cop Jack Cates (Nick Nolte) pulls bank robber Reggie Hammond (Eddie Murphy) from a federal prison on a 48-hour leave to help him capture Hammond's old partner, Albert Ganz (James Remar). Having escaped from a prison work crew, Ganz is on a killing spree around San Francisco, on the trail of half a million dollars that went missing after one of his robberies. The cocky Reggie knows where the money is, but spars with the hotheaded Jack as he enjoys his temporary freedom.
Genre: Action, Comedy, Crime
Production: Paramount Home Video
  Nominated for 1 Golden Globe. Another 2 wins & 1 nomination.
 
IMDB:
6.9
Metacritic:
71
Rotten Tomatoes:
92%
R
Year:
1982
96 min
783 Views


GANZ:

You try to mess with us or go to

the cops, I promise you, I'll put

holes in her you wouldn't believe.

He smiles at Luther, pinches him on the cheek, shoves him out

of the car.

LUTHER:

Stands shivering as it powers away.

WALDEN HOTEL - DAY

A small hotel on one of the quiet streets behind Union Square.

A GREEN COUGAR:

Pulls up across the street.

INT. CAR

Tha car arrives in front of the hotel.

GANZ:

Nice place, huh?

Rosalie is very nervous.

ROSALIE:

What are you gonna do to me in

there?

Ganz gives her a casual smile.

GANZ:

Maybe that's where I'm gonna cut

your throat.

BILLY:

He's just kiddin', you just keep

doin' what I tell ya, you'll be

okay.

They move out of the car, head for the hotel.

LOBBY:

A FRIZZY YOUNG BLONDE sits behind the desk in a mirrored

entrance hall. She reads a lurid paperback. Morning traffic

streams by outside as Ganz, Billy and Rosalie enter and

approach the desk.

GANZ:

We need some rooms for a couple of

nights...Okay?

She smiles at Ganz.

FRIZZY:

Sure. We don't get many real

customers, ya know? Most people

only stay an hour or two...

Passes a form across. Ganz signs it, Frizzy glances at his

signature then takes a key from the rack behind.

GANZ:

I want her young. And tall. Nice

legs. Legs are important. Then,

real thin. Yeah. NO jeans-A

dress? a nice summer dress. You

know I want her fresh... I'll tell

you why, because I been hoein'

weeds and makin' license plates

for a couple of years... Yeah, I

know you don't get it...

BILLY BEAR:

Sees a couple approaching, he shoves the dead man down on the

bench and spreads the newspaper over his head. The body now

looking like a typical park bum who has spent the night.

Billy walks over to Ganz.

BILLY:

Hey, what about me?

GANZ:

And I need one more for my pal.

Yeah. Make her an Indian. No, not

a turban, you know, a squaw.

Billy smiles, takes the Polaroid...

POLAROID:

A close shot of the dead man with the bullet hole in his

forehead.

GANZ:

Takes the photograph back from Billy and slips it into his

jacket pocket...

GANZ:

Walden Hotel. Third near Broadway.

Tell them to ask for ... uh...

He takes the hot credit cards out of his pocket, the name

embossed on the plastic..

GANZ:

(continuing)

G.P. Polson...P.O.L.S.O.N....Just

be a couple of hours.

Hangs up. The two men head for a green Plymouth...

TRANSITION.

FRIZZY:

Number twenty-seven, Mr. Polson.

GANZ:

Put them next door, okay.

She gives him a slightly knowing look.

FRIZZY:

Sure, hey, you got the whole floor

to yourself...

Ganz sends her back a sharp look.

GANZ:

Keep your filthy ideas to

yourself, lady.

Ganz picks up his suitcase, walks over to the nearest

stairwell. Billy and Rosalie follow...

TRANSITION.

STREET:

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Roger Spottiswoode

Roger Spottiswoode is a British-Canadian film director, editor and writer. He was born in Ottawa, Ontario, Canada, and was raised in Britain. more…

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