Weekend Page #2

Synopsis: A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Director(s): Jean-Luc Godard
Production: Janus Films
  1 win & 3 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
96%
NOT RATED
Year:
1967
105 min
Website
1,777 Views


Paul screw her from behind.

And that was all?

Then we watched each

other masturbate.

Then Paul cried:

To the kitchen, pussies!

- What for?

- I'm telling you.

On the fridge there was

a dish of milk for the cat.

Monique said:
What will you

bet me to sit in the dish?

I bet you wouldn't dare, said Paul.

She climbed on the sink,

level with the fridge,

and sat in the dish.

Never taking her eyes off us,

she ordered us to masturbate.

Is that all?

Paul told me to stop

just as I was coming...

...and to climb up

on the sink, too...

...and kneel in front of Monique.

Then he took an egg from the fridge.

I licked Monique's p*ssy,

in the milk...

...and he put an egg

between my buttocks.

When I came the egg broke

and ran down my legs.

- Is this true, or a nightmare?

- I don't know.

I adore you, Corinne.

Come and work me up.

SATURDAY:

10:
00 AM

Hurry up, or the highway

will be jammed.

I'll show you!

Get a move on!

Hey, mister!

What make is this junker?

- Get lost.

know what it is.

It's a crapped-out Facel.

As crapped-out as your wife.

A crapped-out Facel!

They've damaged the Dauphine.

SCENE OF PARISIAN LIFE

What is it?

It's fine.

Mom, they've damaged the Dauphine!

- Particulars must be exchanged.

- I'll kick your particulars!

Mom!

- Want some money? Shut up, then.

- Thanks.

Hey, 8805!

See what you've done to my car?

- Your car's all right.

The bumper's dented.

Bumpers are made to be bumped.

Just because your father-in-law

owns the building...

Just because you've got a dress

from Chez Dolores...

Give me your details.

Georges!

Give me the paint thing

from the trunk.

Toffee-nosed little b*tch!

- I've had enough.

- Stop it.

Stop it, that's enough!

Bastard! Sh*t-heap! Communist!

SATURDAY:

11:
00 AM

1:
40 PM

2:
10 PM

The Internationale

Unites the human race...

Go on, then, telephone to Oinville.

If you drove faster,

we wouldn't be late.

I'll drive the way I please.

We must pick up Father from the clinic.

Mother mustn't arrange it.

They're a real drag.

I know, but if Papa dictates

a new will into his tape recorder...

It wouldn't be valid.

Maybe not, but don't risk losing

your winter holiday in Mexico.

Or it'll take forever.

Of course not.

Don't worry, it'll work out.

Then why have we put poison in his

grub every Saturday for five years?

Ring and say the highway's blocked

and we'll be late.

See what happened to that Triumph?

If only it were Papa and Mama.

You bourgeois turd!

You stupid hick!

Parisian b*tch!

THE CLASS STRUGGLE

You killed the man I love!

Why drive so fast?

This isn't St. Tropez.

You can't stand us having money

when you don't, can you?

Rate this script:4.0 / 2 votes

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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    "Weekend" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/weekend_23197>.

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