The Comfort of Strangers Page #2

Synopsis: An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their way looking for a restaurant, and a stranger invites them to accompany him. He plies them with wine and grotesque stories from his childhood. They leave disoriented, physically ill, and morally repelled. But, next day, when the stranger sees them in the piazza, they accept an invitation to his sumptuous flat. After this visit, the pair find the depth to face questions about each other, only to be drawn back into the mysterious and menacing fantasies of the stranger and his mate.
Genre: Drama, Thriller
Director(s): Paul Schrader
Production: Madacy Home Video
  1 win.
 
IMDB:
6.4
Metacritic:
61
Rotten Tomatoes:
50%
R
Year:
1990
107 min
668 Views


- Look at all this.

- Collettivo Femminista Venezia.

- Women are so radical here.

- I wish we had a map.

They want convicted rapists castrated.

See this building?

We've been past this building

about ten minutes ago.

Quite right too.

- What is?

- To castrate rapists.

What was that man doing?

Glass at this time of night?

- Come on.

- Very strange.

- I'm starving.

- I think we're on the right track.

So do I.

Good evening. You need help?

Well...

We're looking for a place

to get something to eat.

There's nothing in that direction, but I can

show you a very good place that way.

- Isn't there a bar just over there?

- No. Everything is closed.

- My name is Robert.

- Hello.

- Like to eat some beautiful food?

- We'd love to.

I'll show you this place.

You must both be terribly hungry.

All right. Let's go.

This is Mary. I'm Colin.

- You're English?

- Yes.

Whereabouts?

Mary's from Bristol and I'm from London.

Beautiful country.

- Your first trip here?

- We came three years ago.

- Two years ago.

- Two.

- Changed much, has it?

- Mm...

These posters are everywhere.

These are women who can't find a man.

They want to destroy everything

that's good between men and women.

They don't know what they want.

This way.

- Ciao, ragazzi. Come va?

- Bene, grazie.

It's very easy to get lost.

Often there's a dead end or a canal.

It's not far.

Buona ser, Robert.

Please.

Monica. Jocelyn. a va.

This way, please.

It's the real Venice.

Excuse me.

There's no food. I'm sorry.

The cook is sick.

It's a tragedy. I could kill him.

Very sorry.

But this is a wonderful wine.

Full of nourishment.

- Cheers.

- Cheers.

Now, tell me.

I'm a man of immense curiosity.

Passionate curiosity.

- Are you married?

- No.

- But you live together in sin.

- No.

Why not? No one would stop you.

In this day and age

there are no standards.

What about you? Tell us a bit about you.

I mean... who are you, anyway?

But you have a child. Am I right?

- How did you know?

- I feel it.

I have two children.

A boy and a girl.

- This is your boy and your girl.

- Yes.

Beautiful.

Not yours.

Not mine.

Beautiful children.

They take after their beautiful mother.

Your English is terribly good.

I grew up in London. My wife is Canadian.

Any more breadsticks?

- Ancora vino. E dei grissini.

- Arrivo subito.

- Your wife's Canadian?

- Certainly. We lived there.

How did you meet?

That's impossible to explain without

describing my mother and sisters

and that would only make sense

if I described my father.

In order to explain how I met my wife

I would have to describe my father.

Would you really like me to do that?

Shall I do that?

- All right.

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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