Sleuth Page #3

Synopsis: Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse.
Director(s): Kenneth Branagh
Production: Sony Pictures Classics
  1 win & 5 nominations.
 
IMDB:
6.5
Metacritic:
49
Rotten Tomatoes:
36%
R
Year:
2007
88 min
$205,005
Website
3,509 Views


is that it?

I thought it was quite elegant.

What do you think I am?

What the f***

are you actually talking about?

- These are real facts.

- This is a joke.

- No.

- It's also a trap.

- A trap?

- Yes. You think I'm a fool.

Well, are you?

- It doesn't hold up.

- Why not?

They're worth a million pounds. You'd

get a fraction of that from any fence.

I have already contacted

a friend of mine in Amsterdam.

And he will give you

Now, think about it.

Eight hundred thousand pounds...

...tax-free.

Why would he do that?

When you steal the jewels,

you will also steal the receipts.

So he'll have title to the jewels

as well as the jewels themselves...

...so that when he sells them,

he gets full value.

Got it?

Think about it.

Take your time.

And why would you do all this?

Listen, under this crooked exterior,

I am a simple, honest man.

Every word I've told you is true,

I swear it.

I want to get rid of my wife,

but I want it to be solid, permanent.

I don't want her on my back.

I want her to stay on your back.

This is a frame-up.

- A frame-up?

- Yes.

You want to destroy me.

You want to see me in jail.

You want me to do this

and then shop me to the police.

No, no, no.

If I shop you, then you'll shop me,

and then we'll both end up in jail.

No, I take a strictly moral position

on all this.

My wife is an adulteress.

Actually,

she should be stoned to death.

Anyway, it's up to you.

Make up your own mind.

You're asking me to trust you?

I don't give a f***

if you trust me or not.

This is a simple proposition.

You have an expensive woman

and no money.

You wanna keep the woman,

steal the jewels.

Why don't you steal the jewels

and give them to me?

Don't be a bloody fool.

The burglary has to be right.

The house has to be broken into.

- Why don't you break into it?

- For chrissake, I'm in it.

How can I break into it? I live here.

Okay.

If I were to agree to do this,

would you agree to the divorce?

Why should I give her the divorce...

...if you're both walking away

with 800,000 pounds?

She wants a legal settlement.

- She wants part of your estate.

- Greedy.

That's legal justice.

Never trust in legal justice.

You know what legal justice is?

It's farting "Annie Laurie"

through a keyhole.

Listen, 800,000 pounds...

...tax-free.

All yours, in cash.

- Why don't you stop pissing around?

- But wait a minute.

You get a million

from the insurance.

Sure I do.

Well, all right, I'll be frank.

I need it. Cash flow,

stocks, shares going down.

Get me? Quid pro quo.

You do me a favor, I do you a favor,

you keep the woman.

Okay.

Let's make a deal.

- What deal?

- I break in, I steal the jewels.

Rate this script:5.0 / 1 vote

Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

All Harold Pinter scripts | Harold Pinter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Sleuth" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/sleuth_18302>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Sleuth

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.