Shock Corridor Page #2

Synopsis: Johnny Barrett, an ambitious journalist, is determined to win a Pulitzer Prize by solving a murder committed in a lunatic asylum and witnessed only by three inmates, from whom the police have been unable to extract the information. With the connivance of a psychiatrist, and the reluctant help of his girlfriend, he succeeds in having himself declared insane and sent to the asylum. There he slowly tracks down and interviews the witnesses - but things are stranger than they seem ...
Genre: Drama, Mystery
Director(s): Samuel Fuller
Production: Criterion Collection
  Nominated for 1 Golden Globe. Another 2 wins.
 
IMDB:
7.5
Rotten Tomatoes:
94%
NOT RATED
Year:
1963
101 min
434 Views


and make a psycho out of me.

But their sickness is bound

to rub off on you.

I said the same thing to you

when you started singing in your skin.

- Remember, Cathy?

- That's different.

But those hookers didn't get to you, did they?

And those lunatics are not gonna get to me.

She's gonna blow her top

if that guy dumped her.

How can a girl love a guy that much?

Tell him it's Cathy.

Yeah?

Put her on.

Oh, Swanee.

Change your mind, Cathy?

Swanee, it's been four days.

You called the shot.

Swanee, I haven't heard from him

in four days.

If you love him,

you'd go the limit for him.

Well, good evening.

What can I do for you, young lady?

My brother won't let me alone. He -

How old is he?

Thirty.

- Are you married?

- No.

Does he live with you?

No.

Has he ever tried to... attack you?

He's tried.

Has he ever hurt you?

Yes.

Have you ever brought charges

against his sickness?

- Why not?

- Ashamed.

And now?

He said he'd...

kill me if I -

Are you ready to sign a formal complaint

that he's mentally unsound?

- I didn't hear you.

- Yes.

What's your brother's full name, please?

John Barrett.

County General Hospital.

The psycho unit, please.

Dr. Menkin?

Kane, 16th precinct.

John Barrett.

Attempted incest with sister.

Soon as we pick him up

we'll send him over for emergency admission.

How dare you jackass me

down here on her say-so!

I'm a reporter for the Daily Glofbe!

Call my boss. He'll vouch for me.

We checked with him.

He gave you a clean bill of health.

- That's more like it.

- But his word doesn't carry much weight...

- since your sister signed a formal complaint -

- Formal complaint?

Now what can you expect from a stripper?

Sis, come in here and explain how

you dreamed this whole thing up.

Please. Mr. Barrett, please.

- Sit down.

- Uh -

Please?

- Your father living?

- No.

- Did you like him?

- Of course.

- Any brothers?

- No.

- Any other sisters?

- Just Cathy, and that's enough.

- Mother living?

- No.

- Did you ever want your mother?

- What?

What are you saying?

That's a filthy thing to say to me!

Please.

We're here to help you.

You, uh -

- You love Cathy, don't you?

- She's my sister.

- You love her like a woman, don't you?

- I would never let a meathead have her, no.

Mothers and fathers have the same fears.

- You understand me, don't you?

- Of course. Of course.

Tell me, when was the first time

you felt differently toward your sister?

Well, there must have been a first time.

When I was 14.

Look at the way his eyes lit up.

He's got me talkin'.

He's a happy little rascal.

Maybe younger, when I was 10.

Now if you'd just ask me

what made me feel different...

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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