Night Falls on Manhattan Page #4

Synopsis: Sean Casey is the newest member of the district attorneys office and he is close to uncovering a police scandal that might involve his father Liam, who works for the NYPD. Then his father is critically wounded in a stake-out, Sean is chosen to prosecute the case.
Genre: Crime, Drama
Director(s): Sidney Lumet
Production: Republic Pictures Home Video
  1 nomination.
 
IMDB:
6.6
Metacritic:
58
Rotten Tomatoes:
68%
R
Year:
1996
113 min
447 Views


you Eli, right?

Elihu, I don't know,

it's almost hard for me to say.

But Eli, it's more Hamish.

Hamish, it's a word of my people. Means...

- Cozy.

To feel at home with,

it's why your people use chintz. Sean...

When we capture Jordan, and we will,

he's going to be tried.

It's the easiest case

this office will ever have.

He left one empty gun behind

his prints are on it.

I'll bet you whatever you want...

ballistics will find bullets in one of

those four cops that came from that gun.

He's the worst dope dealer in Harlem.

A murderer of his own people. A monster.

As I say, easiest case this office will

ever have. I hope they get him alive.

'Cause I want him put on trial

by this office.

And you know who the prosecutor's

going to be?

You Sean you're going to try him.

That's right:
you, Sean.

You're looking at me like I'm crazy.

Morgy, with apologies to you, Sean...

Morgy, this is a giant case.

Sean has never tried anything like this,

in size or importance.

Mr. Morgenstern, Morgy,

Mr. Harrinson's right.

I mean, I'm new at this.

A mistake could ruin the case.

There's no problem here

my son could win this case.

And he's not out of high school.

And is stupid.

This case isn't complicated.

Morgy, are you serious?

You can always tell when I make a joke.

I'm the guy who laughs loudest.

Sir... Morgy...

- Look, kid:

Whose father is laying up there with

tubes coming out of every hole he's got?

Whose blood is flowing in his veins,

now, this minute?

And who put him there?

Case closed.

Food is here. Shall I bring it in?

- No, put it in DiAngelo's office.

Kid, go eat. There's a couch in there.

DiAngelo's in Florida on vacation.

Eat, grab some kip. I'll wake you

if there's any word from the hospital.

You got a career-making case coming up.

- Thank you.

Why are you doing this?

He's at the top of his class.

I don't know. I got a feeling about him.

You mean that?

You bet your guy as I do.

- You realize I'll have to resign?

So? Resign.

Morgy, I'm Senior Trial Counsel.

Turning this over to anybody but me

is an insult...

that's incredibly damaging to me,

to my career.

Turning it over to an ADA with eight

months experience's more than insulting.

It's shocking, humiliating, unacceptable.

- Listen to me you prick.

You think I don't know what's going on?

The walls have ears, my friend.

Those little planted stories in

the papers? Morgenstern is old...

Morgenstern's has got heart problems.

Morgenstern's lost his touch.

That's your work, Eli.

You and that goddamn PR firm you hired.

And you thought I didn't know? I got

lots of friends, Eli. People owe me.

You're going against me in the primary.

Rate this script:0.0 / 0 votes

Sidney Lumet

Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer, and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director." Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."A member of the maiden cohort of New York's Actors Studio, Lumet began his directorial career in Off-Broadway productions, then became a highly efficient TV director. His first movie, 12 Angry Men (1957), was a courtroom drama centered on tense jury deliberations. Lumet subsequently divided his energies among other political and social drama films, as well as adaptations of literary plays and novels, big stylish stories, New York-based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 12 Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies.In 2005, Lumet received an Academy Award for Lifetime Achievement for his "brilliant services to screenwriters, performers, and the art of the motion picture." Two years later, he concluded his career with the acclaimed drama Before the Devil Knows You're Dead (2007). A few months after Lumet's death in April 2011, a retrospective celebration of his work was held at New York's Lincoln Center with the appearance of numerous speakers and film stars. In 2015, Nancy Buirski directed By Sidney Lumet, a documentary about his career, and in January 2017 PBS devoted its American Masters series to Lumet's life as a director. more…

All Sidney Lumet scripts | Sidney Lumet Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Night Falls on Manhattan" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/night_falls_on_manhattan_14762>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Night Falls on Manhattan

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.