Madame Bovary Page #2

Synopsis: French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.
Genre: Drama, Romance
Director(s): Vincente Minnelli
Production: MGM
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.1
PASSED
Year:
1949
114 min
685 Views


Emma Roualt, motherless,

had attended a convent|in the provincial city of Rouen.

Emma at first detested the convent.

The scales, the eternal scales, when|she might have been learning love songs.

The discipline, the dreadful conformity.

The eternal uniform,|when a girl's young body is budding.

Perhaps it was the discipline itself|and Emma's discontent

that drove her to dreams, and taught|a lonely girl to live within herself.

For these became the happy years,|these convent years,

when a young girl's mind could wander.

And then, as if to feed her dreams,

there was the old Swiss seamstress who|sang the love songs of the last century

and told stories about|love in a Swiss chalet

and love in a villa in Italy,

and to make|the geography lesson complete,

slipped them on the sly|novels forbidden by the sisters,

so they could read about|love in a cottage in Scotland

and love in a castle in Spain.

Novels, novels.

She lived in a world of love,|lovers, sweethearts,

persecuted ladies fainting|in lonely pavilions,

horses ridden to death on every page,

gentlemen, brave as lions,|gentle as lambs,

always well-dressed|and weeping like fountains.

Oh, love in Italy! Oh, love in Spain!

It seemed to Emma that certain places|on Earth must bring happiness,

as a plant peculiar to the soil|that cannot thrive elsewhere.

She would find it someday.

Happiness.

Fashion.

High romance.

One kind of dream and another kind of life.

The convent years ended|and Emma returned to the farm.

Had she been a normal girl,|her dreams might likewise have ended,

but in Emma|there was a terrifying capacity

for pursuing the impossible.

The dream did not end.

She had learned to be a woman for whom|experience would always be a prison,

and freedom would lie always|beyond the horizon.

Here, in these books, in these pictures,|we had taught her

that the strange was beautiful|and the familiar contemptible.

We had taught her to find glamour,|excitement, in the faraway

and only boredom in the here and now.

We had taught her what?

To believe in Cinderella,

and now, here, this morning,|Charles Bovary.

Emma Roualt, you cannot know.|He is not Prince Charming.

He is only a man.

It was very wise of you|to consult me, Doctor.

In all matters of wills, deeds, notes,|assignments, etcetera, etcetera,

I am at your service.|My mind is a storehouse of details.

You will need a house.

Monsieur Guillaumin,|I haven't decided yet.

You will. Leon!

Leon, please make a note.

A house for Dr. Bovary.

A proper house with a stable,

and a rear entrance through which the|doctor may come and go out on his calls.

You see, I think of every detail.

Monsieur, the detail|that I want to know is,

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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