I Shot Jesse James Page #2

Synopsis: While the law hunts him, Jesse James lives quietly in a rented house on the corner of Lafayette and Twenty-first street in St. Joseph, Missouri, under the alias of Tom Howard. His wife Zee begs him to end his association with the Ford brothers. Before they can leave on a "last" bank holdup, Bob learns that his childhood sweetheart, Cynthy Waters, now an actress, is in St. Joe and he brushes aside all caution to see her. Cynthy is beginning to realize that she is a liability to her manager, Harry Kane, because she will not leave Missouri. Meanwhile, John Kelley has come into her life. She pleads with Bob to turn honest. Cynthy tries to get a pardon for Bob, but the best offer she can get is for a 20-year stretch in prison. Then, the Governor offers amnesty and a $10,000 reward to any member of the James gang betraying Jesse. When his chance comes (April 3, 1882)Bob shoots Jesse in the back. He gets the amnesty but the reward is cut to $500. He also loses the love and respect of Cynthy,
Director(s): Samuel Fuller
Production: Criterion Collection
 
IMDB:
6.9
Rotten Tomatoes:
78%
Year:
1949
81 min
49 Views


Tell him I'm...

gonna be a farmer.

You've been gone long enough to get

10 pardons. What did Meredith say?

Pumped Cynthy livid trying to find out

where I'm hiding.

Said if I gave myself up,

he'd see I only got 20 years.

Twenty years.

Think they may have

followed you back from St. Louis?

No.

- Where's Jess?

- Took Zee and the kids to church.

Did Meredith tell her

what the governor just came out with?

Everybody in St. Joe's

been talkin' about it.

- Don't seem to worryJess none.

- What?

Amnesty for any of the gang

who turns in Jess, dead or alive.

- Amnesty?

- Yeah. Act of pardon.

Means if you're on the run

and you turn in Jess, you're free.

- No time in jail?

- Not even a day.

Means you could walk down the street

and nobody'd bother ya.

Yeah. It means just that.

Means I could get married.

Yeah. $10,000 goes with that,

dead or alive.

Means we could buy a farm.

Nobody could takeJess alive.

That'd be suicide.

She wouldn't have to tear up old wheat sacks

to make herself a pair of drawers.

- Bob, what are you -

- I'm...

thinkin' of Cynthy.

What about FrankJames?

What'd you do that for?

Meanin' I'm afraid of Frank?

Ain't ya?

Sure.

If I want to think I'm afraid

or say I'm afraid...

I'll think it and I'll say it.

Nothing gonna stop me

from marryin' Cynthy.

Nothin'.

Hey, Bob.

Bob.

Hey, hurry up, Bob.

That's wonderful.

That's more like it.

It's nice and warm now.

Be back in a minute.

- Bob.

- Yeah?

Pick up that blanket, will ya?

It's a Colt. 45.

Improved pattern.

Silver-mounted, pearl handle.

It's beautiful.

It's loaded.

Sure. When I give a present,

I like to make it complete.

Well, go ahead, Bob.

What are you waitin' for?

There's my back.

Here. Scrub it.

Hey, Bob.

I'm goin' to town.

I'll see you in the mornin'.

What are you doin'

pokin' around out there, Bob?

Come on in. Let's talk.

It's kind of lonesome without Frank around.

It ain't lawful. Even folks in town what

don't likeJesseJames is sayin' it ain't lawful.

Don't you fret about it, Zee.

It's just as if the governor was advertisin'

to hire an assassin to go and kill you unawares.

I ain't killed yet, Zee.

I pick my friends, and I know 'em.

No friend of mine would swallow

that immunity offered by the governor.

Ain't that -

What are you so nervous for?

Did Cynthy turn you down?

Yeah. Kind - Kinda.

Think I'll go in to St. Joe

and buy a new horse.

You can fetch the children

home from school with ya.

Yeah. I'll do that, Zee.

I'm tired.

I guess maybe Zee's right.

Time I settled down.

That's what you ought to do, Bob -

get yourself a wife and a home.

That's what I'm aimin' to do, Jess.

It's only 11:
00.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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