Hellraiser III - Hell on Earth Page #4

Synopsis: Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.
Genre: Horror
Director(s): Anthony Hickox
Production: Paramount Home Video
  1 win & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
38%
R
Year:
1992
97 min
540 Views


But you gave me a rose.

And tomorrow,

I'll give one to somebody else.

Now, get dressed

and get out of here.

You sh*t.

Who do you think you are?

I'm JP Monroe, right?

You stupid b*tch, give me back my shirt

and get the f*** out of my life.

I can't f***ing believe you.

You bastard! You get me in here and...

Like you were at f***ing gunpoint,

you stupid...

You think you're some goddam prince

or something!

With your shitty little kingdom out there

and all this ugly sh*t!

(Gasps)

(Whimpers)

Aaaargh!

Jesus Christ!

Not quite.

What did you see? The same as I?

Appetite sated, desire indulged,

a miniature of the world

and how it will succumb to us.

You enjoyed the girl.

Yes...

Good. So did I.

And that's all.

No, it's not the same.

I just know, what you did,

that was f***ing evil.

(Laughs)

Oh, how uncomfortable that word must feel

on your lips, "evil", "good."

There is no good, Monroe.

There is no evil. There is only flesh

and the patterns to which we submit it.

You will help me to...

Oh, no, no, no, no, no.

No f***ing way, man.

No f***ing way.

Oh, how touching.

That is the gun you used to kill your parents.

I understand. Their fortune was so tempting,

their affection so conditional,

what else could you do?

F*** you.

Now, can we talk sensibly?

(Whimpering)

No.

Don't flee from yourself.

If you have a quality, be proud of it.

Let it define you, whatever it is.

By helping me you will help yourself.

Oh, yes, you want to.

You always have.

With your paintings, your sculptures...

Look at these tawdry representations

and then imagine a world of the body

as canvas, the body as clay.

Your will and mine

as the brush and the knife.

(Man banging on door) Mr Monroe!

Mr Monroe, are you all right in there?

- Mr Monroe!

- There is a place at my right hand for you.

For a man of your tastes.

Tastes I can help you to indulge.

(Banging continues)

Flesh, power,

dominion.

Mr Monroe!

I heard some shots. Are you OK?

Everything's fine.

(Rock music pounding)

How do we start?

It has already begun.

Hey, Joey.

Wait up. Where are you going?

Oh, I need to get some fresh air.

I've been stuck in the office all day.

This just came for you.

Something for your story?

Erm... I hope so.

This story, Joey, if I can help in any way,

you've got my number, all right?

OK. Thanks.

'I don't know what the box is,

but I know what it does.

'I've said all this before.

'I saw it open. I opened it.

'And I saw what came out.

'I don't know what else to call them.

Demons.

'Demons live in the box.

'It's a gateway to Hell.

'Look, I know you don't believe me.

'I know how it sounds.

'What else? What else?

(Sobs) 'Can you turn that f***ing thing off?

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Peter Atkins

Peter Atkins was born in Liverpool, England on 2 November 1955. He was a founder member of The Dog Company, a 1970s avant-garde theatre group, along with Clive Barker and Doug Bradley - with whom he would later work on the Hellraiser movies. As well as his movie and TV work, he is the author of the novels Morningstar (1992) and Big Thunder (1997) and the collection Wishmaster and Others (1999). He is married to Dana Middleton and lives in Los Angeles, California. more…

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Submitted on August 05, 2018

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