Hana-bi Page #2

Year:
1997
621 Views


Still, you can have it.

Please try to be more careful.

Hello...

It's Horibe...

He attempted suicide.

Luckily the landlord found him.

I think he'll make it...

but he took a lot of sleeping pills.

Are his wife and daughter there?

Seems to be sleeping now.

He should be okay in a couple of days.

Shall we leave?

I'm getting off here.

I'll take you home.

It's okay. I'm getting off.

Stop the car.

What kind of detective was Mr. Nishi?

He was a great cop.

Decorated many times.

He and Mr. Horibe were a perfect team.

Whenever Mr. Horibe got too rough

Mr. Nishi would stop him.

You haven't paid your previous debts

and yet you want another 4 million?

Then there's the interest on top.

Why loan you more money?

You poked one of my guy's eye out.

Who's going to pay the medical fees?

Is that a loan, too?

I've got a great idea.

If he can't pay back, he can work for us.

What do you have in mind?

My bodyguard or whatever.

That'll be great.

We can show him how to

kill a cop.

But when Mr. Nishi hit the roof,

he was more frightening.

Like that case...

When he emptied his gun into a dead man.

Hey.

Hi.

How are you?

We're doing all right.

Watch where you're going, a**hole.

Your fault. I had right of way.

On narrow roads, big cars should yield!

Are you kidding?

What?

Driving such a tiny car.

What's it to you?

Fix it yourself.

Mind your own business.

Really want me to do that?

What the hell...

I'll mind my own business.

I'm sorry. Forgive me.

You a**hole.

Where is he?

In a coffee shop.

He's armed, and we can't get near.

There're too many people around.

How's Horibe?

At the hospital. Don't know yet.

He was shot in the belly.

Look.

Hey.

What are you doing?

Can you sell me that light?

You mean the police car light?

What do you want it for?

I'm thinking of robbing a bank.

Sounds great.

Take it. Go ahead. You can have it.

Good luck.

Do some work, you glue-sniffing bum.

You want 500,000 for this?

No, not this one.

The other one.

Where is it?

This one.

But it's a taxi cab!

It belongs to me.

How come?

Honest. It belongs to me.

Did you steal it?

No. It's mine.

How old are you?

Twenty.

Can't get a taxi license at twenty.

Want me to call the police?

Dented the bumper a bit,

but you can have it for 200,000.

I think this car has been stolen.

How about 50,000?

What happened at the bar?

As I said, they spilled soy on my jacket.

The waiter said he was sorry and gave...

100,000 yen for getting sauce

on the suit?

I was wearing an Armani suit and...

Armani? You must be kidding.

No, it's genuine Armani.

And?

And I needed some money for a taxi fare and...

Taxi fare?

100,000 yen for a taxi fare. To where?

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Takeshi Kitano

Takeshi Kitano (北野 武, Kitano Takeshi, born 18 January 1947) is a Japanese comedian, television personality, director, actor, author, and screenwriter. While he is known primarily as a comedian and TV host in his native Japan, abroad he is known almost entirely for his filmwork. With the exception of his works as a film director, he is known almost exclusively by the stage name Beat Takeshi (ビートたけし, Bīto Takeshi). Kitano rose to prominence in the 1970s as one half of the comedy duo Two Beat, before going solo and becoming one of the three biggest comedians in the country. After several small acting roles, he made his directorial debut with 1989's Violent Cop and garnered international acclaim for Sonatine (1993). But he was not accepted as a director in Japan until Hana-bi won the Golden Lion in 1997. In October 2017, Kitano's completed his Outrage crime trilogy with the release of Outrage Coda.He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes where little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters. more…

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