For Ever Mozart Page #2

Synopsis: Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director's efforts to complete his film.
Genre: Comedy, Drama, War
Director(s): Jean-Luc Godard
  1 win & 1 nomination.
 
IMDB:
6.6
Rotten Tomatoes:
56%
NOT RATED
Year:
1996
84 min
273 Views


I come to ask a favor of you.

The villagers to whom I spoke

say you love your cousin

and that you wooed me

as a kind of joke.

You'll need some money.

I've saved up.

Like that?

Alas... let's go!

What were you talking about?

Do you mind telling me?

We were talking about our country.

He lives in Prague now.

His family was killed.

We were talking about death

and about how you feel.

When it hits you?

Yes.

It's not like in books.

They use nice sentences,

but it's not like that.

I told him what happens.

He agreed.

You don't feel anything,

but you say something.

What?

Once I was run over by a police car.

There was an explosion. I fell.

I was lying on the sidewalk

in a daze.

But I didn't think of dying.

There is no death.

There's only...

me...

who is going to die.

We're expecting you!

No, we're staying here.

Don't be stupid. It's cold.

No, we're staying here.

- At least come eat.

- We'll manage.

I'll be back later.

A room with a view.

Let's get to work.

What did he want?

What an ass.

Let's get to work.

Kings lunch, princes dine,

paupers sup.

Not like that.

Words are words

and kisses are kisses.

I realize I have little wit

as soon as I open my mouth.

Let's get to work.

Tonight, philosophy.

Say something.

I think, therefore I am.

In "I think therefore I am,"

the "I" of "I think" is not the same

as the "I" of "I am". Why?

The relation between body and spirit

has yet to be shown.

Between thought and existence.

It's not funny.

I bit my tongue.

The sensation of I have of existence

is not yet a "me".

It's an unreflected sensation.

It's born within me,

but... without "me".

What are you up to?

Nothing, Uncle.

Is everything okay?

We're not tourists, Dad.

I'm asking because people are

unhappier than we think.

And after all,

there's no such thing

as grown-ups.

What are you thinking?

I was wondering why I'm here...

and what it means to be here.

Do you regret having come?

No.

Why do we ask such questions?

Why do we ask

whether we exist or not?

I'm alive and I'm here.

Why is it dark at night?

Maybe the universe was once

young like you.

And the sky was all ablaze.

As the world grew older,

it grew farther away.

When I look at the sky

through the stars,

I only see what has disappeared.

Tomorrow, Sheherazade.

I brought you a book.

A law of what?

There's a law of compensation.

Like with banks?

Balance, if you prefer.

Come on... for France.

Still no news?

A postcard.

It's three weeks old.

Justice always prevails.

If you have a wife

and children,

you can't write Hamlet.

I thought Shakespeare was married.

You've never read him! I have.

He missed out

on some good stuff.

Rate this script:4.0 / 1 vote

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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