Fanny and Alexander Page #2

Synopsis: It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at O
Genre: Drama
Director(s): Ingmar Bergman
Production: Embassy Pictures Corporation
  Won 4 Oscars. Another 19 wins & 10 nominations.
 
IMDB:
8.1
Metacritic:
100
Rotten Tomatoes:
100%
R
Year:
1982
188 min
2,910 Views


- Good night.

- Sweet dreams.

Putte kisses like a real man.

Alexander,

look what I got for Christmas!

Look what Mrs Ekdahl gave me!

Aren't I madly beautiful?

I look like a real lady, don't I?

You can't sleep in my bed tonight,

because I'll be having a caller.

And I can't fit any number

of men in my bed, you know.

But you're my sweetheart.

You do know that, don't you?

Well, it's time to turn in.

We must get up early tomorrow.

Carl...

Carlchen, wake up.

It's time to go home.

Good night, Mama.

I'll just give Carl a hand.

- It's time to go home.

- Here we go...

Good night, Mother.

Good night, Mama.

"There she lies, the beautiful girl,

poor little Arabella.

Little does she know what awaits her.

She is all alone in the big house.

Her mother is dead, and her father is

carousing with unsavoury companions.

Who comes there

at the stroke of midnight?

Dread seizes me...

What is this terrifying white figure

floating there on the moonbeams

and drawing near my bed?

'Tis the spirit of my dead mother."

Now settle down!

Go to sleep! Good night.

I thought the nursery

smelled of paraffin oil...

- There's no paraffin lamp in there.

- That's what it smelt like.

Here you go, Isak.

I made us some nice strong coffee.

A vast improvement on Vega's

awful dishwater. Here.

What can the time be? Ten past three?

That means we have two whole hours

before I must change for church.

My, it's nice to have you here!

You're my best friend.

Whatever would I do without you?

Last year, I enjoyed Christmas...

This year all I wanted to do was cry.

I suppose I'm getting old.

- Do you think I've aged?

- You've grown older, yes.

I suspected as much.

Yes, all I wanted to do was weep.

Though I love seeing

my grandchildren, of course.

I thought Oscar looked tired.

That wretched theatre wears him out.

And why does he have to play

the Ghost? He needs to rest.

- Besides, he's a terrible actor.

- Indeed...

I wonder if Emelie realizes

he's run down and needs a rest.

I think I'll have a word with her.

Oscar's capable, you know.

Capable and conscientious.

Just imagine, the theatre

is actually turning a small profit!

Isn't that splendid?

A few years back, I had to contribute

at least 50,000 a year.

I didn't mind, but it was awkward

for Oscar to ask me for money.

Not like Carl...

He's asked me for another loan,

but I refused.

If he comes to you,

promise me you'll say no as well.

I can't make sense of it. Time and

again I clear everything up for him.

But a year later,

he's in dire straits again.

He claims that he doesn't

go to moneylenders.

- Do you know anything about that?

- I know nothing.

And that poor German woman

Rate this script:3.8 / 4 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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