Arabesque Page #2

Synopsis: Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister.
Director(s): Stanley Donen
Production: MCA Universal Home Video
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
64%
UNRATED
Year:
1966
105 min
340 Views


Mr. Jena in London.

Ambassador-2779.

Words cannot express

my gratitude.

Mr. Pollock,

very good of you...

to reconsider my proposal.

I always try my best...

to cooperate

with the very rich, Mr. Beshraavi.

Do sit down.

Ah.

You mustn't mind Hassan,

Mr. Pollock.

Hassan?

He's a peregrine falcon.

I've named him Hassan Jena

after our beloved prime minister.

They share so many

sterling qualities:

a sharp eye,

a fierce dedication, and very sharp claws.

Hassan won't harm you,

Mr. Pollock,

so long as you don't try

to separate him from his master.

He is excessively loyal.

You keep him well fed, I trust.

Of course. Nobody's that loyal.

I won't presume

upon your time, Professor.

I know how valuable

it must be.

What do you make of that?

It's a copy of

a Hittite inscription.

Second millennium B.C.,

I would guess.

Take a date, Mr. Pollock,

as a gesture of friendship.

I'm a very Arabian Arab,

I'm afraid.

Friends?

Flesh, Mr. Pollock.

Hassan eats only flesh.

I thought he looked at it rather wistfully.

It must have been your fingers.

I want to know

what that inscription means.

I want to know that

very much.

May I ask

an indelicate question?

- How much?

- $25,000.

Very well. I won't quibble, $30,000.

You go right ahead

and quibble.

How did you happen

to get hold of it?

Let us say,

I happened upon it by chance.

Oh.

Well, may the...

gods continue

to smile on you.

Thank you, Professor.

I value your good wishes.

But I won't keep you

from your work any longer.

- If you haven't finished by

- That is correct.

- I'm sorry.

I didn't mean

to interrupt your threat.

- If I'm not finished by 8:00-

- Then you'll be my guest for dinner.

I see.

And if I should happen

to run just a smidge over?

You'll find this house

a very comfortable place to work in, Mr. Pollock,

however long it takes you.

- Hello.

- Hello.

Hello.

Hello, hello, hello.

What are you doing?

Oh, these English crosswords

are devilish, don't you think?

You're an American.

Yes, sir. Indeedy-do, ma'am.

I don't meet many Americans.

Actually, I don't meet

many people who are dressed like that either.

Do you like it?

Would you do me up, please?

Ah, ah.

Oh.

Can you manage?

Well, I- I always

tremble when I'm happy.

I take it that you're a houseguest here.

Why do you take that?

One doesn't usually

arrive for high tea dressed in a nightie.

One also isn't a houseguest in one's own house.

Oh, it's your house.

I got the impression it was

Mr. Beshraavi's house.

Nejim gives that impression

with everything he borrows,

but, I assure you,

it is my house, and he's the guest.

Would you care

to stay for dinner?

I'm afraid that

Rate this script:0.0 / 0 votes

Julian Mitchell

Charles Julian Humphrey Mitchell FRSL (born 1 May 1935) is an English playwright, screenwriter and occasional novelist. He is best known as the writer of the play and film Another Country, and as a screenwriter for TV, producing many original plays and series episodes, including at least ten for Inspector Morse. Mitchell was born in Epping, Essex, and educated at Winchester College, where he won the English Verse and Duncan Reading Prizes. He did his national service in submarines 1953-55 as a Sub Lt RNVR. He then went to Wadham College, Oxford and received a BA with first class honours in 1958. This was followed by a period as a Harkness Fellow in the USA (1959–61). He earned an M.A. in 1962 at St. Antony's College, Oxford. Since 1962 he has been a freelance writer. In the late 1960s, Mitchell co-wrote the teleplay Arthur (Or the Decline and Fall of the British Empire) with Ray Davies of The Kinks. It was never produced, though it gave rise to the band's concept album. He recently recalled the aborted project: "Arthur had a most unhappy history. It was originally meant to be a ... sort of rock opera, and we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man." Mitchell has written nine produced plays, including Another Country, which won the SWET (now Olivier) Award for best play of the year (1981), and After Aida (1985), a play-with-music about composer Giuseppe Verdi. Mitchell has screenplay credits for five feature films. The earliest was Arabesque (1966), which was directed by Stanley Donen. Another Country (1984) is based on Mitchell's own play, and directed by Marek Kanievska. Vincent & Theo (1990) is a biographical film about the famed painted Vincent van Gogh and his brother Theo, and was directed by Robert Altman. August (1996) was directed and starred Anthony Hopkins, and was adapted from Anton Chekhov's classic play Uncle Vanya. Wilde (1997) is based on the life of Oscar Wilde, and was directed by Brian Gilbert. In 2007 he wrote the BBC4 drama Consenting Adults about Sir John Wolfenden and his celebrated 1957 report. more…

All Julian Mitchell scripts | Julian Mitchell Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Arabesque" Scripts.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.scripts.com/script/arabesque_3049>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    Arabesque

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.