A Walk in the Sun Page #6

Synopsis: In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
Genre: Drama, War
Director(s): Lewis Milestone
  Nominated for 1 BAFTA Film Award. Another 2 wins.
 
IMDB:
7.3
APPROVED
Year:
1945
117 min
255 Views


pushing a peanut with my nose

then I'd take a train.

Railroads are jammed these days.

Oh, for Pete's sake.

Come on over here with me, Bill.

You too, Hoskins.

Look, something's wrong.

I know something's wrong.

Halverson should have been back by

this time. Am I right?

- Sounds right.

There's no sense in it.

We hang around here any longer,

we'll screw up the whole works.

Planes'll be over soon.

- Sure as little apples, they will.

And they'll be sending a few

tanks along here soon while

we're still up in the air.

We ought to leave somebody here

in case Halverson shows up and

go ahead while he's waiting.

Six miles is a long way.

- A long and weary way.

What do you think?

- It's up to you, Eddie.

You know what you're doing.

I've got to know.

- Do it, then.

I've got something up...

- Listen!

Planes. Do you hear anything?

- Guns.

- Hey, Sergeant, it's guns.

Where are they coming from?

- From out to sea, aren't they?

I think so.

- Ack-ack.

You sure?

- Probable sure.

That's it, then.

- Must be a ship shooting a plane.

That's the way it is.

Sure as little apples,

the way it is.

All right. Off and on.

- Here we go, Jake.

Going over in the woods.

- Squad columns!

Hop to it. Hoist tail!

How do we know

those aren't our planes?

Cos the ships are ours, dope.

We've got the only ships

in the water.

Boy, I wouldn't be a sailor

for nothing.

Who's gonna stay here, Eddie.

Stay for what?

- Halverson.

- I don't know.

I'll stay.

- OK, Bill, you stay here.

Hoist tail! Get moving!

We haven't got all day!

Get those squads moving.

Spread them out.

We'll be over in the woods, Bill.

- Leave me your glasses, will you?

OK.

Come on! Shake it, shake it!

The way you come walking over

that ridge, like you were back in

Missouri looking for daisies.

Nothing to worry about.

I looked the situation

over very carefully.

Made up my mind there was no danger,

so I walked instead of crawled.

Picked this up for self protection.

Where is everybody?

- Gone into the woods.

Afraid planes were headed this way.

Yeah. I heard the ack-ack.

Lieutenant's dead.

It's too bad.

- Yeah.

Halverson's dead, too.

Deader than a doornail.

Are you sure?

A guy in A Company told me.

Machine gun got him

coming out of the water.

Stitched him right across the middle.

That leaves it up to Porter.

Four ways from the jack.

- What?

Nothing.

What's going on down there?

Well, do you mind if I smoke?

Is it OK?

Well, they're bringing

in the big stuff now.

And coastguards, everywhere

you look, coastguards.

Gee, I'm glad I'm not down

on that beach any more.

The place is sure

going to get strafed.

It sure is.

- We'd better be

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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