We Don't Live Here Anymore Page #3

Synopsis: The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character's lives, is defined by the narrowness of the camera's field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.
Genre: Drama, Romance
Director(s): John Curran
Production: Warner Independent
  2 wins & 4 nominations.
 
IMDB:
6.3
Metacritic:
66
Rotten Tomatoes:
65%
R
Year:
2004
101 min
£1,904,214
Website
348 Views


- It's okay.

Thanks.

- Hi, Mom.

- Hey.

Mommy.

What?

- Mom, stop it.

- Okay, okay.

- What's this?

- It's a show.

Yeah. I know it's a show, honey,

but what show is it?

Space.

Do you wanna go into space

someday, sweetheart?

No. Unless...

I don't want to go to space

unless Daddy goes and you too.

Of course Daddy and I'd go with you.

Then, okay.

I definitely agree with this.

Houston, I think we got a satellite.

It's quite a sight.

That looks good, thanks.

The alignment key is obviously in place.

Go for rotate.

You can't write, you old f***.

Let's go for a run.

One goddamn page.

One page in four hours, that's sad.

Only three hours, 46 minutes.

Think I'd waste an entire four hours

on one goddamn page?

Let's run.

Take it you quit.

- Goddamn right, goddamn it.

- What's this? The eighth, ninth time?

The last time. They're pissing me off.

They're trying to kill me.

Cigarettes don't have souls, Jack.

They don't mean you any harm.

Easy, sailor.

You all right there, princess?

Yeah, I'm fine, you competitive prick.

You sure?

- You're a little screwed up this summer.

- Oh, yeah? Can you tell?

Yep.

- I should've worked this summer, man.

- Yeah. Maybe, maybe not.

I could use the money.

- Work more.

- A man should be able to live...

...idly for a couple of months

without losing his mind.

- Try writing.

- I have. I'm a reader, not a writer.

P*ssy, not a fighter.

Jesus, man. Just smoke it.

You're hopeless.

- You'll smell like an ashtray to Terry.

- Does Edith to you?

No. Not everywhere.

- I haven't touched one since Jeanne.

- Yes. Jeanne.

Got me smoking f***ing French cigarettes.

Make anybody wanna quit.

- Did you end up seeing her before she left?

- Yeah, I saw her.

Remember when I went to New York

to see my agent?

I was in Portland.

Oh, man.

Airport. Tears.

That was very romantic. I think about

running into her in Paris in 10 years.

Jesus, man.

What can I say? I'm dedicated.

I refuse to let anyone go unloved.

Betty!

Mom!

What?

- Mom!

- Don't hit her with that bat!

So why didn't you leave her, Hank?

Who?

Edith.

- Why would I?

- You're in love with another woman.

- Jesus, this isn't the Middle Ages.

- What? It's happened.

Men have left their wives

for other women and been happy.

- Until they start cheating on their new wife.

- Sure, whatever.

- It's no use talking to you.

- Why?

You're too nice to f*** somebody

without feeling love. Right?

- Right.

- So doing it with love in the mix...

...you'd use as proof you didn't love Terry?

- What, you been talking to my mistress?

Look, just love everybody you can.

Love your kids, love your wife,

keep the peace.

Then once, just once...

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Larry Gross

Larry Gross (born 1953) is an American screenwriter, producer, and director. He is a visiting professor of film and new media at New York University Abu Dhabi. Best known for his collaborations with Walter Hill, his credits include 48 Hrs. (1982), Streets of Fire (1984), and uncredited contributions to Ralph Bakshi's Cool World (1992). He won the 2004 Waldo Salt Screenwriting Award at the Sundance Film Festival for We Don't Live Here Anymore (2004). His criticism has appeared in Film Comment and Sight & Sound.Gross attended St Edmund Hall, Oxford and Bard College, from which he graduated in 1974. He later completed an MA in English at Columbia University (where he subsequently served as an adjunct assistant professor of film) and an MA in film studies at New York University.In 2008, Gross who is the co-writer of 48 Hrs. has his contemporaneous diary of his days on set published on the MovieCityNews website. more…

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Submitted on August 05, 2018

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