Vampire's Kiss Page #4

Synopsis: A publishing executive is visited and bitten by a woman and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his delusions. The woman continues to visit and as his madness deepens, it begins to look as if some of the events he's experiencing may be hallucinations.
Genre: Comedy, Horror
Director(s): Robert Bierman
Production: MGM
  1 win & 2 nominations.
 
IMDB:
5.9
Metacritic:
31
Rotten Tomatoes:
61%
R
Year:
1988
103 min
932 Views


we're trying to locate.

Shouldn't...

If a company...

If a literary agency...

makes a copy of every contract...

Of every single contract

it makes with a client...

and then puts it in a file...

in the appropriate file...

shouldn't the copy...

be in that file?

- Yes, I suppose it should.

- It should, right?

- Yes.

- Right?

Unless, of course,

it's somehow been misfiled.

- Misfiled?

- Yes, misfiled.

Sometimes somebody puts a document

in the wrong file, and then it's misfiled.

It makes it much harder to find.

What do you mean? Who?

I don't know who exactly.

- You don't?

- I don't.

Whoever filed

it in the first place, but...

For God's sakes, I am not telling you

one single thing you don't already know.

How could somebody misfile something?

What could be easier?

It's all alphabetical.

You just put it in the right file,

according to alphabetical order.

- You know, A, B, C, D, E, F, G.

- Peter.

H, I, J, K, L, M, N, O, P.

Q, R, S, T, U, V, W, X, Y, Z.

That's all you have to do!

Very good. You know your alphabet.

I've never misfiled anything!

Not once! Not one time!

I'm sure that you didn't.

I want to know, really. Who did?

I cannot possibly tell you that.

- You can't?

- I can't.

And you call yourself a psychiatrist.

It's kinda bright in here, isn't it?

He is so eccentric.

Yes, Mr. Loew?

Actually, she's just leaving.

Sure. Alva,

Mr. Loew would like to see you.

Come in.

I hope you're not still angry at me

about the other day.

I apologized and I honestly meant it.

Pistachio?

That mescaline does strange stuff.

I'll never do that again. Jeez.

I know. I did it once.

- Did you?

- Just once, in high school.

High school.

Yes.

Those were the days.

So. Why do you have your coat on?

I'm leaving. It's 5:00.

But you know, you still haven't found

that contract yet, have you?

There are 15 Der Spiegel files.

It's all I do all day.

But you haven't found it yet.

Don't you think it would be

a good idea to stay late?

Maybe work a little overtime?

My eyes are killing me.

I was also thinking today...

that maybe you could put somebody else

on the job for a while.

Or another secretary to help me out.

To make the job easier.

There is no one else

in this entire office...

that I could possibly ask

to share such a horrible job.

You're the lowest

on the totem pole here. The lowest.

Do you realize that?

Every other secretary who's been here

has been here longer than you. Every one.

And even if there was someone here who

was here just one day longer than you...

I still wouldn't ask that person

to partake in such a miserable job...

as long as you were around.

That's right.

It's a horrible job.

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Joseph Minion

Joseph Minion (born 1957 in Teaneck, New Jersey) is an American film director and screenwriter, best known for Martin Scorsese's After Hours (1985). Born in New Jersey in 1957, Minion briefly attended NYU Film School before finishing his studies at Columbia University, then renowned for its screenwriting program. In 1984, Minion's script for After Hours was optioned by Griffin Dunne and Amy Robinson, the latter a former actress who'd appeared as Harvey Keitel's damaged girlfriend in Scorsese's Mean Streets (1973). Robinson sent Minion's screenplay to Scorsese, whose Last Temptation of Christ had recently fallen through; production on After Hours started shortly afterward. Later, it surfaced that Minion had plagiarized portions of After Hours from radio host Joe Frank, who sued and settled for an undisclosed sum.Minion continued his screenwriting career with 1987's Julia and Julia starring Kathleen Turner; 1989's Vampire's Kiss, starring Nicolas Cage; Motorama (1991); and On the Run (1999). He also worked again with Martin Scorsese in 1986 for an episode of Amazing Stories, "Mirror, Mirror".As a director, Minion made his debut for producer Roger Corman with 1987's Daddy's Boys, said to have been thrown together at the last minute to make use of standing sets for Big Bad Mama II. His last outing as director was for another low-budget feature, Trafficking (1999). more…

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Submitted on August 05, 2018

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