Vampire's Kiss Page #2

Synopsis: A publishing executive is visited and bitten by a woman and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his delusions. The woman continues to visit and as his madness deepens, it begins to look as if some of the events he's experiencing may be hallucinations.
Genre: Comedy, Horror
Director(s): Robert Bierman
Production: MGM
  1 win & 2 nominations.
 
IMDB:
5.9
Metacritic:
31
Rotten Tomatoes:
61%
R
Year:
1988
103 min
915 Views


getting back to this girl.

You son of a b*tch.

You don't just walk out

on somebody like that. You bastard.

Don't you ever call me again.

You f***! F*** you!

Well f*** you, too, sister.

So. How was your weekend?

It was all right. You know.

It was nothing earth-shattering.

Did you hurt yourself?

Just cut myself shaving.

Well, Peter...

why don't we begin

where we left off last week?

You started to tell me

about this strange feeling you had...

when this bat flew through the window

of your apartment.

The feeling of exultation

that you experienced.

You made it sound as though

it were something more than sexual.

I don't...

really know what you're talking about.

I don't remember.

You were very sure about it last weekend.

It made a very strong impression.

Yes. Okay. I know.

I guess I was pretty horny.

Pretty keyed up

from being with the girl right before.

I was drunk, too.

That was it.

I'd had a little to drink.

I was a little drunk.

Plus I was horny.

And have you seen this girl again?

No.

Frank Heatherton on 0-3.

All right. And Judy,

send Alva in here right now.

Yes, Mr. Loew.

All right, Alva. That's Frank Heatherton

on the phone. For me.

I'm sure he's calling

about the Der Spiegel contract...

which he still hasn't gotten.

How do I know

he hasn't gotten a copy of it?

Because I haven't sent it to him.

Why haven't I sent it to him?

Because you haven't found it

and brought it to me yet.

It's f***ing Tuesday.

I still don't see it here.

I don't see it here. Do you?

Alva?

No!

I'm going through the files.

But I have a million other things to do.

I just want you to be here and listen

to the song and dance that I have to do.

That I have to do

because you haven't done your job.

Ready?

- Hi, Frank. How are you?

- Hello, Peter. I'm just fine, thanks.

Listen, I won't hold you.

About that letter I sent...

requesting the copy of Rattlesnake Hills'

sale to Der Spiegel.

There is absolutely no rush on that.

I know it's an old contract.

It's gonna take some digging. I'm sure

you and your girls got better things to do.

I'm in the middle of moving,

so take your time.

I'll call you

when I'm all settled in. Okay?

Okay, Frank.

How's things? Life treating you well?

- Yeah, Frank.

- Good. Well, take care, old buddy.

- All right. Bye-bye, Frank.

- Bye.

Well...

Seems I didn't have to do

a song and dance after all.

As you could hear,

I couldn't get a word in edgewise.

Mr. Heatherton is boiling mad.

And he has implied that if he doesn't get

that copy within the week...

he will terminate

his agreement with us...

and sign up with a more

efficient agency.

Am I getting through to you?

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Joseph Minion

Joseph Minion (born 1957 in Teaneck, New Jersey) is an American film director and screenwriter, best known for Martin Scorsese's After Hours (1985). Born in New Jersey in 1957, Minion briefly attended NYU Film School before finishing his studies at Columbia University, then renowned for its screenwriting program. In 1984, Minion's script for After Hours was optioned by Griffin Dunne and Amy Robinson, the latter a former actress who'd appeared as Harvey Keitel's damaged girlfriend in Scorsese's Mean Streets (1973). Robinson sent Minion's screenplay to Scorsese, whose Last Temptation of Christ had recently fallen through; production on After Hours started shortly afterward. Later, it surfaced that Minion had plagiarized portions of After Hours from radio host Joe Frank, who sued and settled for an undisclosed sum.Minion continued his screenwriting career with 1987's Julia and Julia starring Kathleen Turner; 1989's Vampire's Kiss, starring Nicolas Cage; Motorama (1991); and On the Run (1999). He also worked again with Martin Scorsese in 1986 for an episode of Amazing Stories, "Mirror, Mirror".As a director, Minion made his debut for producer Roger Corman with 1987's Daddy's Boys, said to have been thrown together at the last minute to make use of standing sets for Big Bad Mama II. His last outing as director was for another low-budget feature, Trafficking (1999). more…

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Submitted on August 05, 2018

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