The Necessary Death of Charlie Countryman: The Making of 'The Necessary Death of Charlie Countryman' Page #3

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Here.

Thank you, Charlie.

You're welcome, Gabi.

It's nice to meet you.

Robert Redford!

What's that?

Robert Redford!

Me Robert Redford? No,

you Robert Redford, man!

No, no, no, no. Hubble Gardner!

Yeah?

I don't speak...

Pull over.

Stop the car! Stop...

Gabi!

Charlie! From the airport.

No, keep it. It was a gift.

You okay?

I meant to follow the ambulance, but

it was driving like some

kind of idiot and I lost him.

Look, there's a bunch of traffic. I

bet we can still catch it if we go now?

We?

We, yes, yes.

Listen, I know you don't know me, okay?

I have a feeling about this. And

I don't get a lot of feelings.

Not clear ones anyway so when I do get a

feeling like this one, I try to trust it.

I'm super nervous right now 'cause

this is a wild experience for me.

Scoot over. Scoot over.

What?

Hubble!

Your cab.

Sorry, my friend. How much?

Three? Three. Yes?

Yes.

There's second out, third, fourth. Yeah?

You play cello?

What gives you this idea?

There's a cello in your trunk.

Maybe you have some kind of

fantasy about helping a sad

woman inn a far away land

happens to play the cello?

I am making a joke.

You're making a joke?

You did not understand?

No, I just didn't hear 'cause

a tram just went by right

when you were saying probably

saying the punch line!

You have punch lines here, yes?

The joke is to imply that you

are making this up in your mind.

Right.

'Cause I am pretty I'm

vulnerable, I play the cello.

It's a boy's dream, no?

Well, you're pretty enough. But

I'm more of a tuba guy myself.

I play the cello in the orchestra

of the Bucharest Opera House.

Really?

My father was my teacher.

For my darling Gabi.

Love, Nigel.

Oh, come on!

Thank you!

Thank you!

Excuse me! North Golescu?

Excuse me. Opera house?

You don't know? That way?

Hey!

Excuse me!

Excuse me!

Excuse me, friend!

Hi, I'm looking for Gabriela Iban...

Sorry. Sorry!

Sorry!

Hi, Gabi's phone.

Charlie, it is me, Gabi.

Gabi. Hi! How are you?

Where are you?

I came to the Opera. I didn't know

where else to go, so I just came here.

I have your car and your

cello and everything.

I will come there soon. I

want you to wait for me, okay?

Okay. Really like a nice place

to work. Like, incredible.

Think I'm about to audition.

Do you see a man who looks

like his face is in pain?

Face is in pain? Yes.

He yelled at me.

Can you give him the phone?

Give him the phone?

Please.

- Okay.

Tempo! Tempo!

Just a second.

Hi. Hi. Gabi.

Gabi?

Gabi.

Sorry.

Hello?

Stop, stop, stop!

Wait at the door.

Which door? Because there's those...

Wait at the f***ing door!

I can carry this, if you want.

Do you want me to carry it? Sorry.

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