The Handmaid's Tale Page #4

Synopsis: Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.
Genre: Drama, Romance, Sci-Fi
Director(s): Volker Schlöndorff
Production: HBO Video
  2 wins & 1 nomination.
 
IMDB:
6.0
Rotten Tomatoes:
31%
R
Year:
1990
108 min
1,991 Views


"and she shall bear

upon my knees...

that I may also

have children by her."

"So, she gave Jacob

her maid Bilhah as a wife...

"and Jacob went into her,

and Bilhah conceived...

and bare Jacob a son."

Could I have

a glass of water, please?

We will now have

a moment of silent prayer.

We will ask for a blessing

for our endeavor.

Amen.

Amen.

[ Gasping ]

[ Grunting ]

SERENA:

Shh.

Stop it. Stop.

[ Gasping ]

SERENA:

Shh.

[ Whimpering ]

[ Crying ]

[ Groaning ]

[ Zipper being zipped ]

[ Sobbing ]

Get up and get out.

[ Sobbing ]

[ Sighing ]

[ Sobbing ]

[ Glass shattering ]

[ Water running ]

[ Gasping ]

[ Gasping ]

[ Whispering ]

Get outta there.

[ Door creaking ]

I wouldn't debase

myself like that.

Nobody's asking you to.

Anyways, they're

doing it for all of us.

Could have been me,

say I was ten years younger.

It's not that bad.

It's not what

you'd call hard work.

You're to meet your companion

at the corner.

She's called Ofglen.

Wait for her.

She takes you

to the grocery store.

Tell them fresh eggs, milk...

and a chicken, not a hen.

Tell them who it's for,

and they won't mess around.

We get the best here.

[ Engine rumbling ]

Are you Ofglen?

Yes. I'm meeting Offred.

Who are you?

I'm Offred.

Oh, I see.

Blessed be the fruit.

May the Lord open.

The war is going well, I hear.

Praise be.

I see they have oranges today.

They didn't give me

any tokens for that.

The war interferes with fruit

and vegetables from California.

Even Florida

isn't dependable anymore.

Quiet.

The rebels have blown up

some of the highways.

Tokens, please.

[ Register beeping ]

Thank you.

[ Clapping ]

She must be a very happy girl.

Praise be.

Shh.

It's all right.

What are you doing in here?

I've been looking for you.

Why?

He wants to see you

in his office.

What do you mean?

MAN:
Tomorrow night...

10 p.m.

In his office.

[ Birds chirping ]

Hello, hello, hello.

Nice day, isn't it?

What happened to

the last Offred?

How do I know?

I thought you would be her.

How do I know?

But what do you think?

I don't know.

So, what are these?

Impatiens,

if they grow this year.

How's she working out?

- Who?

- The new one.

Oh, her.

Better than the last one.

Well, you don't have to

throw it up to me.

I thought we weren't

going to mention that.

If you don't like her, we can

send her back, you know that.

Who cares if I like her?

You know, I think...

she was a good choice.

Well, I want you

to be happy, Serena.

Yes.

Life is so much easier for you

when I am.

That's right.

[ Clock chiming ]

[ Knocking ]

- COMMANDER:
Come in.

- [ Door buzzing ]

Hello. Come in.

You don't need the veil.

Rate this script:0.0 / 0 votes

Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

All Harold Pinter scripts | Harold Pinter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Handmaid's Tale" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/the_handmaid's_tale_20386>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.