Ryan's Daughter Page #5

Synopsis: World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Will Shaugnessy take Father Collin's advice? Is the pivotal role that of the village idiot who is mute?
Genre: Drama, Romance
Director(s): David Lean
Production: MGM Home Entertainment
  Won 2 Oscars. Another 7 wins & 21 nominations.
 
IMDB:
7.5
Rotten Tomatoes:
47%
GP
Year:
1970
206 min
915 Views


- Decent.

- Well, it's not, you know.

All right, then.

I'm sorry, Charles.

Put it on.

No. What does it matter?

No, you're right. Please, put it on.

No, well, I'll be

out again in a minute.

Six ones are six.

Six twos are twelve.

Six threes are eighteen.

Six fours are twenty-four.

Six fives are thirty.

Six sixes are thirty-six.

Six sevens are forty-two.

Six eights are forty-eight.

- Six nines are...

- Fifty-four.

Fifty-four.

Six tens are sixty.

Six elevens are sixty-six.

Six twelves are...

Seventy-two.

Now, your work is on the board.

You've all got your pencils.

There's no need for talking,

Kathleen. Now get on with it.

Get on.

Rose?

Rose.

- Where are you going, Rosy?

- Nowhere.

You're in the devil of a hurry there.

Now, stop.

Now, what exactly is the

trouble between you and Charles?

No. No trouble.

Are you asking me to

believe you're happy?

- I'm not asking you anything.

- Are you happy?

No.

Why not?

I don't know.

- Come on, Rosy, now give me a try.

- I don't.

All right.

Because I am stupid and conceited...

and self-centered and ungrateful

like you've always told me.

For I have everything

I wanted, have I not?

You have!

- What more are you wanting now?

- I don't know that, either.

- That's a lie.

- It's not.

How can I know?

I don't even know what more there is.

- You've got a good man now, haven't you?

- The best.

Well?

And you've got enough

money. Not much, but enough.

Aye.

And you've got your health.

- You're not sick?

- No.

There is nothing more,

you graceless girl.

- But, there is.

- There is not.

I know there is.

- There must be, Father Hugh.

- Why?

Glory be to God, why must there

be? Because Rosy Ryan wants it?

Aye.

Have you got any warm old clothes,

Rosy? Poor Patsy Wheelan's in a bad way.

I'll find some, Father.

Thanks.

Rosy, don't nurse your wishes.

You can't help having them,

but don't nurse them...

or sure to God, you'll get

what you're wishing for.

Major Doryan, sir.

Sorry, sir, I had to change a wheel.

Sir.

Get in.

In!

Come on, kids, out of it.

You were in Second Battle of

the Marne, weren't you, sir?

- Yes.

- So was I, sir.

- Yes?

- It was too much for me, sir.

I reckon that's why they sent me here.

Camp coming up, sir.

Slope...

arms.

Capt. Smith, sir.

Hey.

That's all we're short of,

that is. A crippled bloody hero.

Well, now, sir.

This is our communication

with the outside world.

Field telephone to the police

station down the village.

Now, then. Records.

Hello? Constable O'Connor here.

- Were you calling?

- No, no, Constable, just testing.

Well, now, sir, where was I?

Oh, aye. Records. Records. Transport.

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Robert Bolt

British left-wing playwright best known for his screenplay for the 1962 epic Lawrence of Arabia directed by David Lean. more…

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Submitted on August 05, 2018

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