Ryan's Daughter Page #4

Synopsis: World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Will Shaugnessy take Father Collin's advice? Is the pivotal role that of the village idiot who is mute?
Genre: Drama, Romance
Director(s): David Lean
Production: MGM Home Entertainment
  Won 2 Oscars. Another 7 wins & 21 nominations.
 
IMDB:
7.5
Rotten Tomatoes:
47%
GP
Year:
1970
206 min
903 Views


in Phoenix Park before the war?

- Yes, why?

- Will you come here?

Aye, you're looking

at me picture, lads.

Here.

You recognize someone?

- That's yourself, landlord.

- It is.

And he that has me by the hand...

- is Commandant Tim O'Leary.

- Never.

Red Tim himself. That

1,000 secret policemen...

have been hunting for

these last five years.

And himself, no doubt at this very moment

walking the broad streets of Dublin.

- He's a brave man, surely.

- Nerves of steel.

You know him well, then?

- I get my orders from time to time.

- Landlord, you're a desperate man.

I'll tell you something.

- Come on then, Mr. Ryan.

- Right, ma'am.

Good luck to the young lady.

Talk.

This whole cursed country

will capsize with talk.

The locals are no good.

I'll have to bring you some

hard lads from Dublin...

when the time comes.

- When will that be, Commandant?

- I don't know.

Depends on our clever lads in Germany.

And they're great talkers, too.

With this ring, I thee wed.

With this ring, I thee wed.

In the name of the Father...

the Son...

and the Holy Ghost. Amen.

This gold and silver, I give thee...

token of all my worldly goods.

Good night, Father Hugh.

Good night, Rosy.

Well, is no one going

to kiss the bride?

Steady, lads. Steady!

Get off out of it!

Enough. Now, cut it out.

Now, then. That's

enough. Come on, boys.

That's enough.

Now, lads, that's enough.

- Lucky man, and how are you feeling?

- Lucky.

Are you all right, princess?

It was only their bit of fun.

Good night, Father.

Good night, Rosy.

Now, go on, away in with you.

Well, you'll be away early

in the morning, I suppose?

We will, yes, Mr. Ryan.

You're a wonderful girl, Rose.

No.

No, I'm not.

Charles, how you getting on?

Them fellows has an

elegant sense of humor.

It doesn't matter.

Charles, get a handful of this.

Now, come away.

- Rose?

- Yes?

Are you all right?

Yes.

- Good night, Rose.

- Good night, Charles.

Rose?

I got you these.

They're all growing, see?

- When did you do it?

- Last thing yesterday. Just before church.

Charles, you're a rare man.

Well done.

- Here, no.

- They're not heavy.

I can't believe you're here.

Well, I am.

Well, now.

Beethoven.

I...

I don't think you care

much for my flowers, do you?

I like them better growing, surely.

Well, sure, things are better growing.

I'm afraid you're too

late for snapdragons.

Well, I'll put in some

lilies, then. I like them.

- What's the matter?

- My shirt, Rose. I'd like to get my shirt.

Charles, you're fine as you are.

Well, all right, Rose.

I don't know, Rose,

suppose somebody came in.

Charles.

- You're always on about if someone came.

- Well, it's not decent.

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Robert Bolt

British left-wing playwright best known for his screenplay for the 1962 epic Lawrence of Arabia directed by David Lean. more…

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Submitted on August 05, 2018

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