Mao's Last Dancer Page #3

Synopsis: A drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
Director(s): Bruce Beresford
Production: Samuel Goldwyn Films
  6 wins & 20 nominations.
 
IMDB:
7.3
Metacritic:
55
Rotten Tomatoes:
55%
PG
Year:
2009
117 min
$4,806,750
Website
878 Views


- Yes, Ben. I go bed now.

Nice night.

Goodnight.

Huh?

GOOD... night.

Oh, yes Uh... good... night.

Very good.

Fantastic.

Alright, yeah, just a litte more

over the shoulder next time.

I want to take it from the lift.

- Just a ttle more sustained.

- Sure.

OK? Because I thlnk

you have time musically.

- Oh, yeah.

- Alright.

So, seven, two, three,

eight, two, three...

And up with the accent,

and hold a little longer.

- Argh!

- Bobby!

What have you done?

What's happened?

Oh, God.

Argh, sorry.

- Oh, Christ.

They'll bring you some ice.

What about one of

the principals or soloists?

Well, they're all away

on vacation.

David Trembath's

at Galveston.

Wel he can make it

here in time, surely.

- Li's better than he is.

- It's tonight, Ben.

And Li's just a student here.

The union wont allow it.

Ben, this is the biggest night

on the arts calendar.

How's he supposed to learn

'Don Quixote' in three hours?

He already knows the solo.

All he has to learn

is the pas de deux.

Everybody who is anyone

is gonna be here tonight,

including the Vice President.

Yes I know, but Li told me

he once danced forthe great

Madame Mao - we're alright.

But he's Chinese.

What I mean is...

I mean, he can't play

a Spaniard, can he?

Well, unless I'm mistaken, Betty Lou,

I distinctly remember

Marlon Brando playing

a Japanese villager.

Oh, I loved that movie!

Ben, what if he's not up to it?

He's up to it, Cynthia.

And keep the Spanish feel,

keep that attitude.

When you come out of

the la seconde,

just do it with as many

pirouettes as you can.

And be sure to finish

on the music.

That's...

It's not too late, Li.

I mean, we can cancel.

Um, no.

- Um, I can do this, Ben.

- No, you can do it.

I know you can do it. Go from

the top of the pas de deux?

- The beginning?

- Yes. From the beginning.

OK.

And... tomb, pas de bourre,

glissade, lift, pirouette.

Tomb, arabesque, soutenu,

get close to her,

ready for the one-arm lift.

OK.

OK.

When the show starts, if you can't

see there, you can...

Oh, thanks.

I hate the opera.

But they have

the ballet too.

I just hope

it all works out.

Ladies and

gentlemen, take your seats.

Tonight's performance of

'Die Fledermaus'

will commence in two minutes.

Vice President Bush

and his wife, Barbara,

are attending the opening of

Houston Opera's

summer season

'Die Fledermaus',

by Johann Strauss.

Stars of the Houston Ballet

are also...

Oh, hi.

Hello.

You better be right,

Ben Stevenson.

Consul Zhang,

so glad you could make it.

Lori, um... woman dancer

called, um... 'ballerina'.

What you call man?

'Danseur noble'.

Not nice, not like 'ballerina'.

Rate this script:0.0 / 0 votes

Jan Sardi

Jan Sardi is an Australian screenwriter. In 1997 he was nominated for an Academy Award for Best Writing (Original Screenplay), for Shine. He has also written and directed Love's Brother, and adapted The Notebook, based on a novel by Nicholas Sparks. Sardi also adapted Li Cunxin's Mao's Last Dancer, which film was released in 2009. more…

All Jan Sardi scripts | Jan Sardi Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mao's Last Dancer" Scripts.com. STANDS4 LLC, 2024. Web. 7 May 2024. <https://www.scripts.com/script/mao's_last_dancer_13341>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Mao's Last Dancer

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.